This book explores the new applications of established theories or adapts theoretical approaches in order to illuminate behaviour in the field of food. It focuses on social processes at the downstream end of the food chain, processes of distribution and consumption. The book reviews the existing disciplinary approaches to understanding judgements about food taste. It suggests that the quality 'halal' is the result of a social and economic consensus between the different generations and cultures of migrant Muslims as distinct from the non-Muslim majority. Food quality is to be viewed in terms of emergent cognitive paradigms sustained within food product networks that encompass a wide range of social actors with a wide variety of intermediaries, professional and governmental. The creation of the Food Standards Agency (FSA) and the European Food Safety Authority (EFSA) occurred at a juncture when perceptions of policy failure were acknowledged at United Kingdom and European Union governmental levels. The book presents a case study of retailer-led food governance in the UK to examine how different 'quality logics' actually collide in the competitive world of food consumption and production. It argues that concerns around food safety were provoked by the emergence of a new food aesthetic based on 'relationalism' and 'embeddedness'. The book also argues that the study of the arguments and discourses deployed to criticise or otherwise qualify consumption is important to the political morality of consumption.
Embodiment and everyday cyborgs
Des Fitzgerald and Amy Hinterberger
Editorial advisory board
Vivette García Deister, National Autonomous University of Mexico
John Gardner, Monash University, Australia
Maja Horst, Technical University of Denmark
Robert Kirk, Manchester, UK
Stéphanie Loyd, Laval University, Canada
Alice Mah, Warwick University, UK
Deboleena Roy, Emory University, USA
Hallam Stevens, Nanyang Technological University, Singapore
Niki Vermeulen, Edinburgh, UK
Megan Warin, Adelaide University, Australia
Malte Ziewitz, Cornell University, USA
Since the very earliest studies of scientific communities, we have known that texts and worlds are bound together. One of the most important ways to stabilise, organise and grow a laboratory, a group of scholars, even an entire intellectual community, is to write things down. As for science, so for the social studies of science: Inscriptions is a space for writing, recording and inscribing the most exciting current work in sociological and anthropological – and any related – studies of science.
The series foregrounds theoretically innovative and empirically rich interdisciplinary work that is emerging in the UK and internationally. It is self-consciously hospitable in terms of its approach to discipline (all areas of social sciences are considered), topic (we are interested in all scientific objects, including biomedical objects) and scale (books will include both fine-grained case studies and broad accounts of scientific cultures).
For readers, the series signals a new generation of scholarship captured in monograph form – tracking and analysing how science moves through our societies, cultures and lives. Employing innovative methodologies for investigating changing worlds is home to compelling new accounts of how science, technology, biomedicine and the environment translate and transform our social lives.
Previously published titles
Trust in the system: Research ethics committees and the regulation of biomedical research
Personalised cancer medicine: Future crafting in the genomic era et al.
Embodiment and everyday cyborgs
Technologies that alter subjectivity
MANCHESTER UNIVERSITY PRESS
Copyright © Gill Haddow 2021
The right of Gill Haddow to be identified as the author of this work has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988.
This electronic version has been made available under a Creative Commons (CC-BY-NC-ND) licence, thanks to the support of the Wellcome Trust, which permits non-commercial use, distribution and reproduction provided the author(s) and Manchester University Press are fully cited and no modifications or adaptations are made. Details of the licence can be viewed at https://creativecommons.org/licenses/by-nc-nd/4.0
Published by Manchester University Press
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British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library
ISBN 978 1 5261 1418 1 hardback
First published 2021
The publisher has no responsibility for the persistence or accuracy of URLs for any external or third-party internet websites referred to in this book, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate.
Cover image: Emmanuelle Devos in Sur mes lèvres © 2001 - SEDIF - PATHE FILMS - FRANCE 2 CINEMA and Jean Marie Leroy