The chapter examines Patricio Guzmán’s film Nostalgia for the Light, which is set in the Atacama Desert in Chile. The film juxtaposes the search of astronomers for the origins of the universe and that of archaeologists for the remnants of humans who passed through the desert – as well as the women who comb the desert floor for the remains of their disappeared relatives. The chapter argues that Guzmán’s film can be seen as an example of what Jacques Rancière calls the politics of aesthetics, and induces new ways of seeing.



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