Front matter
in Beyond observation

Beyond observation

Anthropology, Creative Practice and Ethnography (ACE)

Series editors: Faye Ginsburg, Paul Henley, Andrew Irving and Sarah Pink

Anthropology, Creative Practice and Ethnography provides a forum for authors and practitioners from across the digital humanities and social sciences to explore the rapidly developing opportunities offered by visual, acoustic and textual media for generating ethnographic understandings of social, cultural and political life. It addresses both established and experimental fields of visual anthropology, including film, photography, sensory and acoustic ethnography, ethnomusicology, graphic anthropology, digital media and other creative modes of representation. The series features works that engage in the theoretical and practical interrogation of the possibilities and constraints of audiovisual media in ethnographic research, while simultaneously offering a critical analysis of the cultural, political and historical contexts.

Previously published

David MacDougall, The looking machine: Essays on cinema, anthropology and documentary filmmaking

Christian Suhr, Descending with angels: Islamic exorcism and psychiatry – A film monograph

In association with the Granada Centre for Visual Anthropology

Beyond observation

A history of authorship in ethnographic film

Paul Henley

Manchester University Press

Published by Manchester University Press

Altrincham Street, Manchester M1 7JA

www.manchesteruniversitypress.co.uk

British Library Cataloguing-in-Publication Data

A catalogue record for this book is available from the British Library

ISBN 978 1 5261 3134 8hardback

ISBN 978 1 5261 3136 2paperback

ISBN 978 1 5261 4729 5open access

First published 2020

The publisher has no responsibility for the persistence or accuracy of URLs for any external or third-party internet websites referred to in this book, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate.

Cover: Chinese opera performer, Shanghai Vice (1999), detail. © Phil Agland, River Films.

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Beyond observation

A history of authorship in ethnographic film

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