This chapter studies a specific witchcraft play in depth: Thomas Dekker, John Ford, and William Rowley’s The Witch of Edmonton. Based partly on the historical case of Elizabeth Sawyer, the play presents a plausible picture of witchcraft by representing it as one sin among many, locating the crime of witchcraft on a scale of human sin which encompasses all humans. By representing the activities of the devil not only with Sawyer but also within the invented story of Frank Thorney, a bigamist and murderer, the play works to normalise the idea of diabolical witchcraft. The sympathy for the witch that so many critics have detected in the play is a function of this levelling vision of human sin, which distributes culpability for the tragic events of the play throughout the Edmonton community.

Information

Metrics

All Time Past Year Past 30 Days
Abstract Views 0 0 0
Full Text Views 132 132 54
PDF Downloads 36 36 12

Related Content