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This article focuses on ongoing contestations around burned human remains originating from the Holocaust, their changing meanings and dynamics, and their presence/absence in Holocaust-related debates, museums and memorial sites. It argues that ashes challenge but also expand the notion of what constitutes human remains, rendering them irreducible to merely bones and fleshed bodies, and proposes that incinerated remains need to be seen not as a ‘second rate’ corporeality of the dead but as a different one, equally important to engage with – analytically, ethically and politically. Challenging the perception of ashes as unable to carry traces of the personhood of the of the dead, and as not capable of yielding evidence, I posit that, regardless of their fragile corporality, incinerated human remains should be considered abjectual and evidential, as testifying to the violence from which they originated and to which they were subjected. Moreover, in this article I consider incinerated human remains through the prism of the notion of vulnerability, meant to convey their susceptibility to violence – violence through misuse, destruction, objectification, instrumentalisation and/or museum display. I argue that the consequences of the constantly negotiated status of ashes as a ‘second rate’ corporeality of human remains include their very presence in museum exhibitions – where they, as human remains, do not necessarily belong.
This article describes some of the techniques museums use to represent the suffering body in exhibitions. Some display human remains, but much more common, especially in Western museums, are stand-ins for the body. Manikins take many forms, including the wax museum’s hyperrealistic representations, the history museum’s neutral grey figures and the expressionistic figures that represent enslaved people in many recent exhibits. Symbolic objects or artefacts from the lives of victims can serve as counterweights to telling the story of their deaths. Photographs can show horror and the machinery of death, focus attention on individual lives or recreate communities. The absence of the body can call attention to its suffering. All of these techniques can be useful for museums trying to display and teach traumatic histories, but must be used with care and caution.
As a result of the SARS-CoV-2 (COVID-19) pandemic, in 2020 forensic institutions in Mexico began using extreme measures in the treatment of bodies of confirmed or suspected cases, due to possible infection. A series of national protocols on how to deal with the virus were announced, yet forensic personnel have struggled to apply these, demonstrating the country’s forensics crisis. This article aims to reflect on two points: (1) the impact that COVID-19 protocols have had on how bodies confirmed as or suspected of being infected with the virus are handled in the forensic medical system; and (2) the particular treatment in cases where the body of the victim is unidentified, and the different effects the pandemic has had in terms of the relationship between the institutional environment and the family members of those who have died as a result of infection, or suspected infection, from COVID-19.
When drone footage emerged of New York City’s COVID-19 casualties being buried by inmates in trenches on Hart Island, the images became a key symbol for the pandemic: the suddenly soaring death toll, authorities’ struggle to deal with overwhelming mortality and widespread fear of anonymous, isolated death. The images shocked New Yorkers, most of whom were unaware of Hart Island, though its cemetery operations are largely unchanged since it opened over 150 years ago, and about one million New Yorkers are buried there. How does Hart Island slip in and out of public knowledge for New Yorkers in a cycle of remembering and forgetting – and why is its rediscovery shocking? Perhaps the pandemic, understood as a spectacular event, reveals what has been there, though unrecognised, all along.
Based on the anthropological classification of death into ‘good deaths’, ‘beautiful deaths’ and ‘evil deaths’, and using the methodology of screen ethnography, this article focuses on mourning in Brazil during the COVID-19 pandemic, especially the extreme cases of deaths in Manaus and among the Yanomami people. The article ‘follows the virus’, from its first role in a death in the country, that of a domestic worker, to hurriedly dug mass graveyards. I consider how the treatment of bodies in the epidemiological context sheds light on the meanings of separation by death when mourning rituals are not performed according to prevailing cultural imperatives. Parallels are drawn with other moments of sudden deaths and the absence of bodies, as during the South American dictatorships, when many victims were declared ‘missing’. To conclude, the article focuses on new funerary rituals, such as Zoom funerals and online support groups, created to overcome the impossibility of mourning as had been practised in the pre-pandemic world.
Research into the governance of dead bodies, primarily focused on post-conflict contexts, has often focused on the aspects of the management of dead bodies that involve routinisation, bureaucratisation and order. Less attention has been paid to the governance of the dead in times of relative peace and, in particular, to the aspects of such work that are less bureaucratised and controlled. This article explores the governance of dead bodies in pandemic times – times which although extraordinary, put stress on ordinary systems in ways that are revealing of power and politics. Observations for this article come from over fifteen years of ethnographic research at a medical examiner’s office in Arizona, along with ten focused interviews in 2020 with medico-legal authorities and funeral directors specifically about the COVID-19 pandemic. The author argues that the pandemic revealed the ways in which the deathcare industry in the United States is an unregulated, decentralised and ambiguous space.
This article sets forth a theoretical framework that first argues that necropolitical power and sovereignty should be understood as existing on a spectrum that ultimately produces the phenomenon of surplus death – such as pandemic deaths or those disappeared by the state. We then expound this framework by juxtaposing the necropolitical negligence of the COVID-19 pandemic with the violence of forced disappearances to argue that the surplus dead have the unique capacity to create political change and reckonings, due to their embodied power and agency. Victims of political killings and disappearance may not seem to have much in common with victims of disease, yet focusing on the mistreatment of the dead in both instances reveals uncanny patterns and similarities. We demonstrate that this overlap, which aligns in key ways that are particularly open to use by social actors, provides an entry to comprehend the agency of the dead to incite political reckonings with the violence of state action and inaction.