This chapter explores how the drive to translate breathlessness into quantifiable, scalable measures was influenced by historical interactions between medical expertise, industrial interests and compensation schemes. Considering these interactions highlights the related processes by which we have variously decided which groups count as medically distinguishable populations. Tracking the changing normal values used in spirometry values through the prism of two groups considered to be significant categories at different points in the twentieth century – women and miners – highlights the interactions between race, class and gender in spirometry. Considering the first group, women, demonstrates how difference in lung function between men and women was established, and the varying extent to which such differences were attributed to biological or societal causes. Similarly, analysing the efforts to define normal lung function for miners highlights the way in which abnormal lung function was attributed to the essential nature of the miner’s body, and underlines the impact of politics on the classification of respiratory disability. In this way, Chapter 5 uses historical case studies to argue that the selection of healthy subjects to create a standard of normalcy worked as a powerful way to manipulate the categorisation of disability as well as to obscure its true causes.
Dead bodies, evidence and the death march from Buchenwald to Dachau, April–May 1945
Christopher E. Mauriello
This article utilises the theoretical perspectives of the forensic turn to further expand our historical understandings and interpretations of the events of the Holocaust. More specifically, it applies a theory of the materialities of dead bodies to historically reconstruct and reinterpret the death march from Buchenwald to Dachau from 7 to 28 April 1945. It focuses on dead bodies as ‘evidence’, but explores how the evidential meanings of corpses along the death-march route evolved and changed during the march itself and in the aftermath of discovery by approaching American military forces. While drawing on theories of the evidential use of dead bodies, it remains firmly grounded in empirical historical research based on archival sources. The archives at the Buchenwald Concentration Camp contain eyewitness accounts and post-war trial testimony that enable a deeply contextualised ‘microhistory’ of the geography, movements, perpetrators, victims and events along this specific death march in April and May 1945. This ‘thick description’ provides the necessary context for a theoretical reading of the changing evidential meanings of dead bodies as the death march wove its way from Buchenwald to Dachau and the war and the Holocaust drew to an end.
This article seeks to show that the bodies of Jewish people who died in the Drancy internment camp between 1941 and 1944 were handled on French soil in a doubly normalised manner: first by the police and judicial system, and then in relation to funeral arrangements. My findings thus contradict two preconceived ideas that have become firmly established in collective memory: first, the belief that the number who died in the Drancy camp is difficult to establish; and second, the belief that the remains of internees who died in the camp were subjected to rapid and anonymous burial in a large mass grave in Drancy municipal cemetery.
The Kulmhof extermination camp in Chełmno nad Nerem was the first camp set up by the Nazis to exterminate Jews during the Second World War. The history of Kulmhof has long been an area of interest for academics, but despite thorough research it remains one of the least-known places of its kind among the public. Studies of the role of archaeology in acquiring knowledge about the functioning of the camp have been particularly compelling. The excavations carried out intermittently over a thirty-year period (1986–2016), which constitute the subject of this article, have played a key role in the rise in public interest in the history of the camp.
Jon Seligman, Paul Bauman, Richard Freund, Harry Jol, Alastair McClymont, and Philip Reeder
The Ponar-Paneriai base, the main extermination site of Vilna-Vilnius, began its existence as a Red Army fuel depot in 1940. After Nazi occupation of the city in 1941 the Einsatzgruppen and mostly Lithuanian members of the Ypatingasis būrys used the pits dug for the fuel tanks for the murder of the Jews of Vilna and large numbers of Polish residents. During its operation, Ponar was cordoned off, but changes to the topography of the site since the Second World War have made a full understanding of the site difficult. This article uses contemporary plans and aerial photographs to reconstruct the layout of the site, in order to better understand the process of extermination, the size of the Ponar base and how the site was gradually reduced in size after 1944.
This article has two aims: to examine the effects of victim proximity to crematoria ashes and ash pits both consciously and unconsciously in a subset of Holocaust survivors, those who were incarcerated at the dedicated death camps of Belzec, Sobibor, Treblinka, as well as Auschwitz-Birkenau; and to contrast these effects, the subject positions they produce, with their suppression as the basis both for a strategy of survival during incarceration and for a reimagined identity after the war. Within a cohort of four survivors from Rudolf Reder (Belzec), Esther Raab (Sobibor), Jacob Wiernik (Treblinka) and Shlomo Venezia (Auschwitz), I trace the ways in which discrete memories and senses became constitutive in the formation of the subject prior to and after escape – the experience of liberation – so that essentially two kinds of subjects became visible, the subject in liberation and the subject of ashes. In conjunction with these two kinds of subjects, I introduce the compensatory notion of a third path suggested both by H. G. Adler and Anna Orenstein, also Holocaust survivors, that holds both positions together in one space, the space of literature, preventing the two positions from being stranded in dialectical opposition to each other.
This chapter explores the ways in which balance was configured in diabetes
care between the 1900s and 1960s. The balance of diet and insulin sat at the
heart of self-care programmes during this period. However, amid growing
political and popular interest in affective life, clinicians and a novel
patient organisation quickly connected bodily balance with psychological and
emotional stability in new ways. Depression, complacency, denial, fear and
optimism soon became subject to management in clinical spaces, mutual aid
publications and long-term professional–patient interactions, in response to
changing notions of health citizenship and self-discipline, and as certain
states came to be considered dangerous or beneficial to physiological and
political balance. The chapter begins to map out the extensive array of
tools and agencies involved in constructing selves oriented towards
This chapter investigates questions about balance in Parkinson’s Disease by
analysing historical shifts in debates about a predetermined behavioural
model of a Parkinson’s Disease personality, its relationship to artistic
creativity and implications for therapeutic equilibrium in clinical
management. The aim of the chapter is to demonstrate that focusing on
balance merely in terms of therapeutic dosage plans ignores broader
dimensions of balancing cultural conflict surrounding ontological and
emergent meanings of the disease and the transcendent metaphysics of
creativity. In this way it addresses the contingent scientific and clinical
normativities of physiological and psychological balance and their
relationship to models of the self. Drawing out the historical determinants
of contingently normative neo-humoralism threaded through the story of
Parkinson’s Disease, this chapter also explores an alternative, and equally
ancient, narrative of balance about the dualism of creative genius. Efforts
to balance drug reception in the brain, it argues, are bound to the legacy
of Enlightenment normative contingencies concerning madness and reason,
genius and lunacy, creativity and manic compulsion.