David Calder
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Working memory
in Street theatre and the production of postindustrial space

This chapter introduces the book's primary focus: street theatre's production of postindustrial space. The introduction makes clear that there is no such thing as a postindustrial society: forms of labour accumulate rather than cleanly replacing each other. Nonetheless, deindustrializing communities have a vested interest in relegating industry to the past and presenting themselves as happily and healthily postindustrial. Street theatre is crucial to this process as a theatrical form that claims space as public, carves events from ongoing situations, and rescripts everyday behaviours. The necessity of street theatre to the production of the postindustrial means that street theatre companies benefit from and participate in redevelopment, but it also means that through street theatre the industrial may reassert itself in unanticipated ways. The introduction proposes working memory as a central metaphor for the theatrical and performative processes analysed throughout the book.

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