David Calder
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Alternative pasts, sustainable futures
in Street theatre and the production of postindustrial space

This concluding chapter analyses two works of outdoor installation art that exemplify the production of postindustrial space. Compagnie Fer à Coudre’s Floraferrique and Fabrice Giraud’s Le Murmure des Plantes 2.0 fuse natural flora with industrial aesthetics. This chapter examines the installations as street theatre, demonstrating how they invite spectatorial participation even as they create a doubled temporality that complicates the call to action. Through their interplay of human and non-human agency, engagement with ecology, and construction of alternate pasts and futures, these projects offer new insight into street theatre's temporal, spatial, and political work.

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