Open Access (free)
Paul Henley

This Introduction explains that the last part of the book offers what is freely acknowledged to be no more than a partial selection, in both senses of the word, of recent films that seem to the author to have had a significant impact and/or which suggest potentially fruitful models for the future of the genre of ethnographic film.

in Beyond observation
Open Access (free)
Paul Henley

This introduction distinguishes between the key terms ‘documentation’ and ‘documentary’ and outlines the metatheme of the seven chapters making up this part of the book. It argues that because of a tendency to see the exercise of authorship in film-making and ethnographic value as mutually incompatible, throughout the history of ethnographic film-making, there has been a tendency to deny, sidestep or control for authorship, or to consign it either to the subjects or to the audience. It proposes that because of this failure to embrace authorship, coupled with a lack of technical competence, ethnographers working in the period prior to the Second World War left a very slight filmic legacy. Fortunately, however, film-makers with very different motivations, ranging from the propagandistic to the commercial, actively embraced authorship, producing films that, after the fact, have often been acclaimed as masterworks of ethnographic cinema.

in Beyond observation