Open Access (free)
Daniel Humphrey

Using Lacanian psychoanalysis, Derridean deconstruction, and queer theory, this chapter explores the thematic ramifications of the three-frame shot of an erect penis in first few seconds of Ingmar Bergman’s Persona. Ultimately arguing that the character of Elisabet, who rejects the false sincerity of speech for the productively duplicitous practice of writing, represents radical queer negativity, this study presents a new reading of Persona that celebrates its subversive power.

in Ingmar Bergman