In this chapter, the author suggests that films and even television shows can be texts that encourage reflexivity about moral paradox, political obligation and community. He will do this through a reading of a more recent work in the genre of "the tragedy of remarriage": the television show The Americans. The Americans is a commercially successful spy drama set in Washington, DC in the early 1980s. It incorporates aspects of high and low culture. It combines the elaborate atmospherics of Mad Men with elements of the spy genre, but at its core it is a story about marriage and, to a lesser degree, about politics. The author clarifies how The Americans resembles the other remarriage films and illuminates the issues they raise. Finally, he explains what insights he can draw from the show and whether these insights could fortify democracy.