Beowulf has one big back story – the fall of the dynasty of Danish kings founded by Scyld – almost none of which is told ‘in’ the poem. The legends themselves are present in the poem chiefly as mysterious dark matter, sensed by the shadows they cast and by their gravitational pull. This chapter looks at the submerged narrative of the poem, beginning in its opening lines where we learn of the future destruction by fire of Heorot, Hrothgar’s newly erected hall, and of in-law trouble waiting impatiently in the wings. The chapter then looks at how (and why) the allusions in Beowulf to Scylding dynastic history are set out concentrically, in a loose ring-structure, an enveloping barrow of remembrances. As this study reveals, a shared sense of wit or style offers the spark for an intimate relationship, as the Beowulf poet entices with wryness and obliqueness, using seduction to turn audiences into accomplices and companions in making meaning, not whoopee. The real love affair in the poem is thus between the narrator and his auditor.