Johanna Gondouin, Suruchi Thapar-Björkert and Ingrid Ryberg
This chapter analyses the racial and emotional dynamics in the acclaimed crime series Top of the Lake: China Girl (Australia, Jane Campion, 2017), set in Sydney where Inspector Robin Griffin (Elisabeth Moss) leads the murder case of an unidentified young Asian woman. Revolving around charged issues such as surrogacy, adoption and migrant sex workers, the series offers a rich and complex reflection on the current debate about the global division of reproductive work across axes of gender, race, nationality, migrant status and class. The authors show how the series sets conflicting notions of vulnerability in motion, evoking diverging positions in the current debate: a Western liberal notion of reproductive rights on the one hand, and a postcolonial critical notion of reproductive justice on the other. China Girl, they argue, privileges the Western notion of reproductive rights by amplifying the emotional vulnerability of the white intended parents at the cost of the illegally contracted Thai surrogates in the series.