This book explains theoretical work in postcolonial and postsocialist studies to
offer a novel and distinctive insight into how Yugoslavia is configured by, and
through, race. It presents the history of how ideas of racialised difference
have been translated globally in Yugoslavia. The book provides a discussion on
the critical race scholarship, global historical sociologies of 'race in
translation' and south-east European cultural critique to show that the
Yugoslav region is deeply embedded in global formations of race. It considers
the geopolitical imagination of popular culture; the history of ethnicity; and
transnational formations of race before and during state socialism, including
the Non-Aligned Movement. The book also considers the post-Yugoslav discourses
of security, migration, terrorism and international intervention, including the
War on Terror and the refugee crisis. It elaborates how often-neglected aspects
of the history of nationhood and migration reveal connections that tie the
region into the global history of race. The book also explains the linkage
between ethnic exclusivism and territory in the ethnopolitical logic of the
Bosnian conflict and in the internationally mediated peace agreements that
enshrined it: 'apartheid cartography'. Race and whiteness remained
perceptible in post-war Bosnian identity discourses as new, open-ended forms of
post-conflict international intervention developed.
This book explores modernity, the disciplines, and their interplay by drawing in critical considerations of time, space, and their enmeshments. Based in anthropology and history, and drawing on social-political theory (as well as other, complementary, critical perspectives), it focuses on socio-spatial/disciplinary subjects and hierarchical-coeval tousled temporalities. The spatial/temporal templates reveal how modern enticements and antinomies, far from being analytical abstractions, intimate instead ontological attributes and experiential dimensions of the worlds in which we live, and the spaces and times that we inhabit and articulate. Then, the book considers the oppositions and enchantments, the contradictions and contentions, and the identities and ambivalences spawned under modernity. At the same time, rather than approach such antinomies, enticements, and ambiguities as analytical errors or historical lacks, which await their correction or overcoming, it attempts to critically yet cautiously unfold these elements as constitutive of modern worlds. The book draws on social theory, political philosophy, and other scholarship in the critical humanities in order to make its claims concerning the mutual binds between everyday oppositions, routine enchantments, temporal ruptures, and spatial hierarchies of a modern provenance. Then, it turns to issues of identity and modernity. Finally, the book explores the terms of modernism on the Indian subcontinent.
The book argues that the frontier, usually associated with the era of colonial conquest, has great, continuing and under explored relevance to the Caribbean region. Identifying the frontier as a moral, ideational and physical boundary between what is imagined as civilization and wilderness, the book seeks to extend frontier analysis by focusing on the Eastern Caribbean multi island state of St. Vincent and the Grenadines. The continuing relevance of the concept of frontier, and allied notions of civilization and wilderness, are illuminated through an analysis of the ways in which SVG is perceived and experienced by both outsiders to the society and its insiders. Using literary sources, biographies and autobiography, the book shows how St. Vincent is imagined and made sense of as a modern frontier; a society in the balance between an imposed civilized order and an untameable wild that always encroaches, whether in the form of social dislocation, the urban presence of the ‘Wilderness people’ or illegal marijuana farming in the northern St. Vincent hills. The frontier as examined here has historically been and remains very much a global production. Simultaneously, it is argued that contemporary processes of globalization shape the development of tourism and finance sectors, as well as patterns of migration, they connect to shifting conceptions of the civilized and the wild, and have implications for the role of the state and politics in frontier societies.
This book argues that John Dewey should be read as a philosopher of globalization rather than as a 'local' American philosopher. Although Dewey's political philosophy was rooted in late nineteenth and early twentieth century America, it was more importantly about the role of America in a globalized world. The book highlights how Dewey's defence of democracy in the context of what he denotes as the Great Society leads him to confront the problems of globalization and global democracy. Then, it explores how Dewey's conception of creative democracy had global connotations. The book examines how Dewey problematized his own conception of democracy through arguing that the public within modern nation states was 'eclipsed' under the regime he called 'bourgeois democracy'. Then, it shifts the terrain of Dewey's global focus to ideas of global justice and equality. The book demonstrates that Dewey's idea of global democracy was linked with an idea of global equality, which would secure social intelligence on a global scale. It outlines the key Deweyan lessons about the problem of global democracy. The book shows how Dewey sets out an evolutionary form of global and national democracy in his work. Finally, it also outlines how Dewey believed liberal capitalism was unable to support social intelligence and needed replacing with a form of democratic socialism.
This book describes the explosion of debt across the global economy and related requirement of political leaders to pursue exponential growth to meet the demands of creditors and investors. It presents a historical account of the modern origins of capitalist debt by looking at how commercial money is produced as debt in the late seventeenth and early eighteenth centuries. The book identifies the ways in which the control, production, and distribution of money, as interest-bearing debt, are used to discipline populations. It focuses on the histories of the development of the Bank of England and the establishment of permanent national debt with the intensification and expansion of debt, as a "technology of power", under colonialism in a global context. The book investigates the modern origins of debt as a technology of power by focusing on war, the creation of the "national" debt, and the capitalization of the organized force of the state. It addresses the consequences of modern regimes of debt and puts forward proposals of what needs to be done, politically, to reverse the problems generated by debt-based economies. The book utilizes the term "intensification" rather than spread or proliferation to think about both the amplification and spatial expansion of debt as a technology of power during the era of European colonialism and resistance. Finally, it also presents a convincing case for the 99" to use the power of debt to challenge present inequalities and outlines a platform for action suggesting possible alternatives.