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Theatre and the politics of engagement

This book is about science in theatre and performance. It explores how theatre and performance engage with emerging scientific themes from artificial intelligence to genetics and climate change. The book covers a wide range of performance forms from the spectacle of the Paralympics Opening Ceremony to Broadway musicals, from experimental contemporary performance and opera to educational theatre, Somali poetic drama and grime videos. It features work by pioneering companies including Gob Squad, Headlong Theatre and Theatre of Debate as well as offering fresh analysis of global blockbusters such as Wicked and Urinetown. The book offers detailed description and analysis of theatre and performance practices as well as broader commentary on the politics of theatre as public engagement with science. It documents important examples of collaborative practice with extended discussion of the Theatre of Debate process developed by Y Touring theatre company, exploration of bilingual theatre-making in East London and an account of how grime MCs and dermatologists ended up making a film together in Birmingham. The interdisciplinary approach draws on contemporary research in theatre and performance studies in combination with key ideas from science studies. It shows how theatre can offer important perspectives on what the philosopher of science Isabelle Stengers has called ‘cosmopolitics’. The book argues that theatre can flatten knowledge hierarchies and hold together different ways of knowing.

Theatre of Debate
Simon Parry

minority ethnic communities.14 Noel suspects that research is curtailed by a lack of potential profit to be made from treatments. He speculates on the likelihood of personalised medicine being developed for his brother Josh in a witty dialogue with Stella comparing the economics of pharmacogenetics to the economics of fried chicken. At the chicken shack where Noel works, Hester from the pub likes Peri Peri sauce, but the owner of the takeaway is not going to go to the trouble of making it, especially as Noel points out because: ‘Hester‘s a cleaner – she can‘t afford to

in Science in performance