Frédéric Le Marcis, Luisa Enria, Sharon Abramowitz, Almudena-Mari Saez and Sylvain Landry B. Faye
Ebola epidemic in the Mano River countries with the aim of building on the comparative methods. Further discussions and writing took place on Google Docs and by email. 7 ELWA ETUs 2 and 3 were named after the nearby ELWA hospital, which belongs to ELWA ministries (Eternal Love Winning Africa), part of SIM (Sudan Interior Mission), an international Christian mission that has operated in Liberia since 1952. Bibliography Abramowitz , S. ( 2017 ), ‘ Epidemics (Especially Ebola) ’, Annual Review of Anthropology , 46 , 421 – 45 , doi: 10.1146/annurev-anthro-102116
In this final chapter we offer an overview of the main findings that emerged in our research on golf and the environment, as presented over the course of the book. We also present a set of recommendations that are intended to inspire critical thinking on how to promote healthier and more ethical relationships between the golf industry and its numerous stakeholders, paying particular attention, of course, to golf’s many environmental issues. We conclude the chapter and book by acknowledging the many relevant topics and issues we were unable or chose not to pursue and, in turn, by offering suggestions for future research on golf, the environment, and globalization. The ‘greening of golf’ is an ongoing matter, just as the study of golf and the environment should be ongoing too.
This book charts and analyses the work of Oliver Stone – arguably one of the foremost political filmmakers in Hollywood during the last thirty years. Drawing on previously unseen production files from Oliver Stone’s personal archives and hours of interviews both with Stone and a range of present and former associates within the industry, the book employs a thematic structure to explore Stone’s life and work in terms of war, politics, money, love and corporations. This allows the authors both to provide a synthesis of earlier and later film work as well as locate that work within Stone’s developing critique of government. The book explores the development of aesthetic changes in Stone’s filmmaking and locates those changes within ongoing academic debates about the relationship between film and history as well as wider debates about Hollywood and the film industry. All of this is explored with detailed reference to the films themselves and related to a set of wider concerns that Stone has sought to grapple with -the American Century, exceptionalism and the American Dream, global empire, government surveillance and corporate accountability. The book concludes with a perspective on Stone’s ‘brand’ as not just an auteur and commercially viable independent filmmaker but as an activist arguing for a very distinct kind of American exceptionalism that seeks a positive role for the US globally whilst eschewing military adventurism.
’. Thomas can often be found wrestling in the poems with the
paradox of a Christian God of love having created a natural economy
based upon cycles of violence and consumption, what Tennyson in In
Memoriam refers to as ‘Nature, red in tooth and claw’. The second half
of this chapter highlights and explores this paradox as it emerges in
Thomas’s work, examining it first in relation to certain statements by
Tennyson in his In Memoriam, and then detailing each poet’s ultimate
response to the problem.
Anthony Conran, in his 1979 article for Poetry Wales entitled ‘R. S.
English culture and the shedding of wider kin ties grew out
of another economic imperative related to, but distinct from, issues of
lineal inheritance or romantic love’. 11 Perry argues that the need for
increased personal wealth in the changing economic structure contributed
to making cousin marriage desirable, particularly among the members of
the upper classes. 12 Cousin
marriage became a viable
The 1990s witnessed an explosion in women's writing in France, with a particularly exciting new generation of writer's coming to the fore, such as Christine Angot, Marie Darrieussecq and Regine Detambel. This book introduces an analysis of new women's writing in contemporary France, including both new writers of the 1990s and their more established counter-parts. The 1990s was an exciting period for women's writing in France. The novels of Louise Lambrichs are brilliant but troubling psychological dramas focusing on the traumas that inhabit the family romance: incest, sterility, the death those we love and the terrible legacy of mourning. The body of writing produced by Marie Redonnet between 1985 and 2000 is an unusually coherent one. The book explores the possibility of writing 'de la mélancolie' through focusing on the work of Chantal Chawaf, whose writing may be described as 'melancholic autofiction', melancholic autobiographical fiction. It places Confidence pour confidence within Constant's oeuvre as a whole, and argues for a more positive reading of the novel, a reading that throws light on the trajectory of mother-daughter relations in her fiction. Christiane Baroche was acclaimed in France first as a short-story writer. Unable to experience the freedom of their brothers and fathers, beur female protagonists are shown to experience it vicariously through the reading, and the writing of, narratives. Clotilde Escalle's private worlds of sex and violence, whose transgressions are part of real lives, shock precisely because they are brought into the public sphere, expressed in and through writing.
Soaking up the rays forges a new path for exploring Britain’s fickle love of the light by investigating the beginnings of light therapy in the country from c.1890-1940. Despite rapidly becoming a leading treatment for tuberculosis, rickets and other infections and skin diseases, light therapy was a contentious medical practice. Bodily exposure to light, whether for therapeutic or aesthetic ends, persists as a contested subject to this day: recommended to counter psoriasis and other skin conditions as well as Seasonal Affective Disorder (SAD) and depression; closely linked to notions of beauty, happiness and well-being, fuelling tourism to sunny locales abroad and the tanning industry at home; and yet with repeated health warnings that it is a dangerous carcinogen. By analysing archival photographs, illustrated medical texts, advertisements, lamps, and goggles and their visual representation of how light acted upon the body, Woloshyn assesses their complicated contribution to the founding of light therapy. Soaking up the rays will appeal to those intrigued by medicine’s visual culture, especially academics and students of the histories of art and visual culture, material cultures, medicine, science and technology, and popular culture.
has fostered pervasive ignorance and indifference. An education
towards ‘critical self-reflection’ or ‘protest and resistance’
(Adorno 1998b : 193; Adorno and Becker 1999 : 30–1) calls for recognition of and
resistance to this collective blindness and coldness. A pedagogy
infused by agonistic recognition is a radical pedagogy that promotes
a counter-cultural embrace of ambiguity, vulnerability and love
Golf is a major global industry. It is played by more than 60 million people worldwide, and there are more than 32 000 courses in 140 countries across the globe. Golf is a sport that has traditionally appealed to the wealthy and powerful in particular, though it attracts players and spectators from a wide range of demographics. Golf has also received criticism regarding its impact on the environment, particularly when it comes to the appropriation of land for golf course development and the use of water and pesticides in course management. The golf industry has, over time, responded to these and other concerns by stressing its capacity for recognizing and dealing with environmental problems. Yet there are reasons to be sceptical about the golf industry's environmental leadership – and, indeed, to be sceptical about corporate environmentalism in general. This book looks at the power relationships in and around golf, examining whether the industry has demonstrated such leadership on environmental matters that it should be trusted to make weighty decisions that have implications for public and environmental health. This is the first comprehensive study of the varying responses to golf-related environmental issues. It is based on extensive empirical work, including research into historical materials and interviews with stakeholders in golf such as course superintendents, protesters, and health professionals. The authors examine golf as a sport and as a global industry, drawing on and contributing to literatures pertaining to environmental sociology, global social movements, institutional change, corporate environmentalism and the sociology of sport.
for satirical readings or uses of Spenserian intertexts. Analyzing
Thomas Nashe’s Choise of Valentines with reference to Spenser’s “March”
eclogue from The Shepheardes Calender and Tailboys Dymoke’s Caltha
Poetarum alongside Spenser’s Muiopotmos gives a sense of the code of
indirect satire as a flexible vocabulary of subterfuge and innuendo. In
Nashe’s, Dymoke’s, and (in the chapter’s “coda”) Shakespeare’s responses
to and reworkings of Spenserian images and narratives, we see the overwhelming significance of Spenser in the literary field of the 1590s.