Vũ Đức Liêm

’s Social violence in nineteenth-century Vietnam 53 control over villages, the basic form of social organization. The violence sweeping the empire in the mid 1830s posed the first truly existential crisis since the dynasty’s foundation, and prompted military retaliation on a massive scale.5 After seemingly endless pacification campaigns, the emperor demonstrated his determination to end all further treasonous behaviour by ‘cultivation’ (giao hoa) of his subjects. One month after the Bac Ninh’s assault, the lengthy and carefully drafted Ten Moral Maxims were disseminated

in A global history of early modern violence
The intellectual influence of non-medical research on policy and practice in the Colonial Medical Service in Tanganyika and Uganda
Shane Doyle

leisure, freedom from fear and want, and the satisfaction of material needs at the expense of the minimum of effort.’ While drawing on the Arcadian literary tradition in her description of Buhaya, Huxley’s writing also made deliberate reference to contemporary claims about what could be achieved by the new technocratic, welfarist developmentalism of the post-war Empire. But Bukoba’s district

in Beyond the state
Cultural readings of race, imperialism and transnationalism
Author: Laura Chrisman

This book analyses black Atlantic studies, colonial discourse analysis and postcolonial theory, providing paradigms for understanding imperial literature, Englishness and black transnationalism. Its concerns range from the metropolitan centre of Conrad's Heart of Darkness to fatherhood in Du Bois's The Souls of Black Folk; from the marketing of South African literature to cosmopolitanism in Achebe; and from utopian discourse in Parry to Jameson's theorisation of empire.

Commerce, diplomacy, and brigandage on the steppe routes between the Ottoman Empire, Poland-Lithuania, and Russia, 1470s–1570s
Alexander Osipian

7 Restraining/encouraging violence: commerce, diplomacy, and brigandage on the steppe routes between the Ottoman Empire, PolandLithuania, and Russia, 1470s–1570s Alexander Osipian This chapter examines the large-scale non-state violence on the trade routes in the buffer zone between the Grand Duchy of Lithuania,1 the Grand Duchy of Moscow,2 the Ottoman Empire, and the Crimean Khanate. Though the rulers constantly declared their will to maintain the diplomatic contacts and protect the caravan trade between these states, execution of their orders was entrusted to

in A global history of early modern violence
Weak empire to weak nation-state around Nagorno-Karabakh
Jan Koehler and Christoph Zürcher

8 The art of losing the state: weak empire to weak nation-state around Nagorno-Karabakh Jan Koehler and Christoph Zürcher The conflict around Nagorno-Karabakh offers an insight into the rules and processes that governed the transformation of a weak empire into even weaker nation-states. More than other conflicts escalating into collective violence during the demise of the USSR, Nagorno-Karabakh had connotations of civil and interstate war, heavily involved official central and local Soviet institutions and led to the creation of new local institutions. The Nagorno

in Potentials of disorder
Cancer, modernity, and decline in fin-de-siècle Britain
Agnes Arnold-Forster

, less decadent diet was likely to protect against the disease. 28 Cancer – then as now – was conceptualised as a disease of civilisation, an unintended consequence of progress. Anxiety over the perceived increase of cancer was provoked in part by research that seemed to suggest the epidemic was not confined to Western or so-called ‘developed’ nations. Doctors across the British Empire were, at the end of the nineteenth century, engaged in a large-scale evidence-gathering mission. Data and anecdotal evidence was

in Progress and pathology
John Borneman

12 Abandonment and victory in relations with dead bodies John Borneman Katherine Verdery was the first to make some systematic observations about the accelerated movement of dead bodies in EastCentral Europe following the collapse of the Soviet Empire. She noted that, in this period of political transformation, the corpses of political leaders and cultural heroes accrued certain powers leading to a struggle over appropriating those powers, and to the exhumation and displacement of their bodies (Verdery 1999). Here I wish to consider the modes of appropriation

in Governing the dead
Open Access (free)
Antonín Salač and the French School at Athens
Thea De Armond

). It is not surprising that the history of Classical archaeology maps onto geopolitics. After all, with their shared claims to universality, Classics and empire have much in common (Porter, 2006; Bradley, 2010); Classical materials – like so many other desirable goods – gravitate toward power. Of course, Classics has never been the sole provenance of the powerful. Even the geopolitically ‘marginal’ have sought their share of Classical culture (see Stephens and Vasunia, 2010), to say nothing of so-called ‘source’ nations such as Greece and Italy (see Hamilakis, 2007

in Communities and knowledge production in archaeology
Open Access (free)
Tim Di Muzio and Richard H. Robbins

—which was war—is already stamped with the financial machinations of the Dutch empire, Italian city-states of the fourteenth and fifteenth centuries, the Atlantic slave trade, and the conquest of North America and India by capitalized joint-stock companies such as the East India Company. The main argument in this chapter is that the invention of a funded long-term national debt was principally born not to finance wars to aggrandize the power of the Crown per se but more importantly to aggrandize the power of what Justin Rosenberg (1994) has called “the empire of civil

in Debt as Power
Robert Murphy

question the dominant stylistic approaches or provide stimulus for social change, with the result that there has been virtually no avant-garde film-making and no effective militant cinema in Britain’. 2 Durgnat is much less time-bound and his analysis of British cinema has proved remarkably prescient. A Mirror for England deals with topics such as national identity and the decline of empire, realism and

in British cinema of the 1950s