Open Access (free)
Intimate relations
Irina Dumitrescu

, ‘The formulaic relationship between Beowulf and Andreas ’, in Helen Damico and John Leyerle (eds), Heroic poetry in the Anglo-Saxon period: studies in honor of Jess B. Bessinger, Jr. (Kalamazoo, MI: Medieval Institute Publications, 1993), pp. 283–312; Anita R. Riedinger, ‘ Andreas and the formula in transition’, in Patrick J. Gallacher and Helen Damico (eds), Hermeneutics and medieval culture (Albany, NY: State University of New York Press, 1989), pp. 183–91; Alison M. Powell, ‘Verbal parallels in Andreas and its relationship to Beowulf and Cynewulf’, PhD

in Dating Beowulf
Laura Chrisman

.), Contemporary Marxist Literary Criticism (London: Longman, 1992), p. 97. 3 Terry Eagleton (ed.), Raymond Williams: Critical Perspectives (Cambridge: Polity Press, 1989), pp. 150–65. 4 The texts of this article’s discussion are Edward Said, Culture and Imperialism (London: Chatto, 1993); Gayatri Chakravorty Spivak, ‘Three Women’s Texts and a Critique of Imperialism’, in Henry Louis Gates Jr (ed.), ‘Race’, Writing and Difference (Chicago: University of Chicago Press, 1986) pp. 262–80; Fredric Jameson, ‘Modernism and Imperialism’, in Seamus Deane (ed.), Nationalism, Colonialism

in Postcolonial contraventions
Brad Millington and Brian Wilson

National’s powerful image of how a golf course should appear. Above we quoted journalist Sharon Oosthoek in saying that in the 1960s colour broadcasts of the Masters tournament had golfers themselves turning green with envy. Augusta National was developed in the early 1930s thanks to a partnership between Robert Trent Jones Jr., the famous course architect, and Clifford Roberts, Augusta’s aforementioned owner and chairman. It became the site of the Masters in 1934, and it was not long before the

in The greening of golf
Open Access (free)
Violence and the early modern world
Erica Charters, Marie Houllemare, and Peter H. Wilson

T. J. Humphrey, New World Order: Violence, Sanction and Authority in the Colonial Americas (Philadelphia, 2005); M. Broers, ‘War and Crime in Napoleonic Italy, 1800–1814: Regeneration, Imperialism and Resistance’, in L. A. Knafla (ed.), Policing and War in Europe (Westport, CT, 2002); G. Plank, Rebellion and Savagery: The Jacobite Rising of 1745 and the British Empire (Philadelphia, 2006); A. Pagden, Lords of all the Worlds: Ideologies of Empire in Spain, Britain and France c.1500–c.1800 (New Haven, CT, 1998); R. A. Williams Jr, The American Indian in Western

in A global history of early modern violence
A sociology of the amateur
Geneviève Teil and Antoine Hennion

. Peacock, A. and Weir, R. (1975), The Composer in the Market Place, London, Faber Music. Pitte, J.-R. (1991), Gastronomie Française: Histoire et Géographie d’une Passion, Paris, Fayard. Poulain, J. (2002), Sociologies de L’Alimentation : Les Mangeurs et L’Espace Social Alimentaire, Paris, Presses Universitaires de France. chap 1 13/8/04 4:12 pm Page 37 Discovering quality or performing taste? 37 Ricœur, P. (1990), Soi-Même Comme un Autre, Paris, Seuil. Rose, N. and Miller, P. (1990), ‘Governing economic life’, Economy & Society, 19(1), pp. 1–31. Rose, N. and

in Qualities of food
Lennart J. Lundqvist

(Pritchard Jr. et al. 1998:30 f.). Elinor Ostrom’s answer in her now classic Governing the Commons is twofold. The underlying principle in her model of stable, ecosystem-based governance is one of congruence between a natural ecosystem and the unit of governance for that system. Regimes for the use and management of natural resources must thus have clearly defined boundaries, and the users/managers of the resource should have their right to organise recognised by external governmental authorities. Pointing to the complexity posed by the crossing scales of natural and man

in Sweden and ecological governance
Translatina world-making in The Salt Mines and Wildness
Laura Horak

’s trans activists. In the film’s first scene, Little Man, an energetic homeless Latino man, shows the filmmakers around the Salt Mines and names the people who live there the Salt People. Gigi, Giovanna, and Sara and their friends Little Man, JR, Bobby, Edwin, and Ruby2 talk to the filmmakers about their lives and hopes for the future, and make an assessment of the United States. Gigi, with dyed red hair and a leather jacket, is a cynical fast-​talker from Puerto Rico, Giovanna a determined Afro-​Latina from the Dominican Republic (see ­figure  6.1), and Sara a

in The power of vulnerability
Open Access (free)
Looking beyond the state
Anna Greenwood

Castellani, Microbes, Men and Monarchs: A Doctor’s Life in Many Lands , London, Gollancz, 1960; Schram, History of the Nigerian Health Services ; J.J. McKelvey Jr, Man Against Tsetse: Struggle for Africa , London, Cornell University Press, 1973 ; Gelfand, A Service to the Sick 29 Daniel R

in Beyond the state
Open Access (free)
Peter Morey

strongly in the self-perception and tastes of the Parsi community he describes. But what are these cultural specificities when it comes to literary influence? During the colonial era, anglicisation ensured that Parsi literary endeavours were mainly in English (although Parsis have an honourable role in the creation of Gujarati drama too33). As Nilufer Bharucha has observed, writers such as Behram Malabari, Cornelia Sorabji and D. F. Karaka jr. formed the vanguard of Parsi writers in the late nineteenth and early twentieth centuries. After a period in the doldrums, Parsi

in Rohinton Mistry
Gender and nationalism in the early fiction of Flora Nwapa
Elleke Boehmer

Wills, Improprieties: Politics and Sexuality in Northern Irish Poetry (Oxford: Clarendon Press, 1993). 18 See Abdul JanMohamed’s reading of the Fanonist (and Sartrean) concept of the manichean in ‘The economy of the Manichean allegory: the function of racial difference in colonialist literature’, in Henry Louis Gates Jr. (ed.), ‘Race’, Writing and Difference (Chicago: University of Chicago Press, 1986), pp. 78–106; and also in his Manichean Aesthetics (Amherst, MA: University of Massachusetts Press, 1983). 19 Consider, for example, the now canonical characterisation of

in Stories of women