Better ‘the Hottentot at the hustings’ than ‘the Hottentot in the wilds with his gun on his shoulder’
Julie Evans, Patricia Grimshaw, David Philips, and Shurlee Swain
settlers. They had not been prepared to do so, however, while the Cape
remained a slave-owning society. The British Parliament had abolished
slavery throughout the British Empire in 1833; this had taken effect in
the Cape in December 1834 – but the slaves had to continue to
serve their masters as ‘apprentices’ for another four years,
which meant that legal slavery did not fully end in the Cape until
This book focuses on the ways in which the British settler colonies of Australia, Canada, New Zealand and South Africa treated indigenous peoples in relation to political rights, commencing with the imperial policies of the 1830s and ending with the national political settlements in place by 1910. Drawing on a wide range of sources, its comparative approach provides an insight into the historical foundations of present-day controversies in these settler societies.
Colonial Caring covers over a century of colonial nursing by nurses from a wide range of countries including: Denmark, Britain, USA, Holland and Italy; with the colonised countries including South Africa, Australia, New Zealand, Ethiopia, Nigeria, India, Indonesia (Dutch East Indies) and the Danish West Indies. It presents unique perspectives from which to interrogate colonialism and post-colonialism including aspects of race, cultural difference and implications of warfare and politics upon nursing. Viewing nursing’s development under colonial and post-colonial rule reveals different faces of a profession that superficially may appear to be consistent and coherent, yet in reality is constantly reinventing itself. Considering such areas as transnational relationships, class, gender, race and politics, this book aims to present current work in progress within the field, to better understand the complex entanglements in nursing’s development as it was imagined and practised in local imperial, colonial and post-colonial contexts. Taking a chronologically-based structure, early chapters examine nursing in situations of conflict in the post-Crimean period from the Indian Rebellion to the Anglo-Boer War. Recruitment, professionalisation of nursing and of military nursing in particular, are therefore considered before moving deeper into the twentieth century reflecting upon later periods of colonialism in which religion and humanitarianism become more central. Drawing from a wide range of sources from official documents to diaries, memoirs and oral sources, and using a variety of methodologies including qualitative and quantitative approaches, the book represents ground-breaking work.
-frontier empire, who participate in ‘controlled’ forms of recreational hunting, like the safari, ‘in the wake of conquest’. 20 But in Lee’s Australian novel, Captain Spencer precedes this post-frontier moment. He has recently fought in the second Anglo-Sikh War, in 1848–49; to recuperate, he takes a ship to Australia, accompanied by his horse, dog, and a talking parrot. Spencer’s journey to Australia is a detour from an ongoing military occupation in the interests of empire that has exhausted him. Shipwrecked on the west Australian coast, he seems to have no sense of purpose
, there are very good historical reasons for Scotland and Ireland
being averse to one another, to do with Empire and Union, and I have
written elsewhere on that aversion (Maley 2000a; 2000b). Here, I want
to accentuate the positive. In this essay I shall explore the missing middle
of the vernacular in Irish writing, drawing on Edna Longley’s perceptive
remarks about Tom Paulin’s poetic project and the vexed issue of UlsterScots. I propose to take in other kinds of writing than just poetry,
though the chief part of what I have to say does relate to verses.
A few years
Julie Evans, Patricia Grimshaw, David Philips, and Shurlee Swain
Englishmen’ elsewhere in the Empire. NSW settlers initiated the
political pressure on governors, the Colonial Office and successive
British governments, the results of which ultimately flowed on to other
colonies. The arrangements devised first for NSW would flow on to
Tasmania, South Australia and Victoria, and finally, in 1859, to the new
colony of Queensland when it was carved out of the land
Women, internal colonization and indigenous peoples
the Cold War, to a group of citizens who, although living within
Canadian territory, were previously considered ‘foreign’.
This shift represented the change in Canada’s identity from that
of a dominion in the Empire, with an identity centred on Britain, to
that of a nation situated in Canadian geographic space. The decreasing
confidence in colonial attitudes was reflected in the drifting away of
In Self-Culture and the Perfection of Character ( 1847 ), the American phrenologist, Orson Fowler, offered phrenology as a remedy for those who ‘are daily and earnestly inquiring –“How can I REMEDY my defects? By what MEANS can I increase my deficient organs, and diminish or regulate those that are too large? … How can I make my children better?”’
Orson and his brother, Lorenzo, founded a phrenological and publishing empire in mid-nineteenth-century America that revitalised and popularised
Moving images of the British monarchy, in fact and fiction, are almost as old as the moving image itself, dating back to an 1895 dramatic vignette, The Execution of Mary Queen of Scots. Led by Queen Victoria, British monarchs themselves appeared in the new 'animated photography' from 1896. Half a century later, the 1953 coronation of Elizabeth II was a milestone in the adoption of television, watched by 20 million Britons and 100 million North Americans. At the century's end, Princess Diana's funeral was viewed by 2.5 billion worldwide. Seventeen essays by international commentators examine the portrayal of royalty in the 'actuality' picture, the early extended feature, amateur cinema, the movie melodrama, the Commonwealth documentary, New Queer Cinema, TV current affairs, the big screen ceremonial and the post-historical boxed set. These contributors include Ian Christie, Elisabeth Bronfen, Andrew Higson, Steven Fielding, Karen Lury, Glyn Davis, Ann Gray, Jane Landman, Victoria Duckett, Jude Cowan Montague, James Downs, Barbara Straumann, Deirdre Gilfedder, Jo Stephenson, Ruth Adams, Erin Bell, Basil Glynn and Nicola Rehling.
This volume tells the story of the case study genre at a time when it became the genre par excellence for discussing human sexuality across the humanities and the life sciences. A History of the Case Study takes the reader on a transcontinental journey from the imperial world of fin-de-siècle Central Europe and the Austro-Hungarian Empire to the interwar metropolises of Weimar Germany, and to the United States of America in the post-war years. Foregrounding the figures of case study pioneers, and always alert to the radical implications of their engagement with the genre, the six chapters scrutinise the case writing practices of Sigmund Freud and his predecessor sexologist Richard von Krafft-Ebing; writers such as Leopold von Sacher-Masoch, Oskar Panizza and Alfred Döblin; Weimar intellectuals such as Erich Wulffen, and New York psychoanalyst Viola Bernard. There result important new insights into the continuing legacy of such writers, and into the agency increasingly claimed by the readerships that emerged with the development of modernity—from readers who self-identified as masochists, to conmen and female criminals. Where previous accounts of the case study have tended to consider the history of the genre from a single disciplinary perspective, this book is structured by the interdisciplinary approach most applicable to the ambivalent context of modernity. It focuses on key moments in the genre’s past, occasions when and where the conventions of the case study were contested as part of a more profound enquiry into the nature of the human subject.