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Juvenile actors and humanitarian sentiment in the 1940s
Michael Lawrence

-war globalism’. 39 In De Sica’s cinema, for example, realist devices were ‘capable of triggering and nourishing a charitable gaze in line with the nascent institutional practices of global humanism’. 40 The influence of European neorealism on American cinema is usually discerned in films produced at the end of the 1940s, such as Fred Zinnemann’s The Search (1948) and George Seaton’s The Big Lift (1950), both

in Global humanitarianism and media culture