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The Texture—Gendered, Sexual, Violent—of James Baldwin’s Southern Silences
Ed Pavlić

Spurred on by Colson Whitehead’s Pulitzer Prize-winning novel The Nickel Boys (2019), which is set in Tallahassee, FL, during the 1950s and 1960s, this essay presents a close-up look at James Baldwin’s visit to Tallahassee in May 1960. Moving between Baldwin’s writings about the South, especially “They Can’t Turn Back,” published by Mademoiselle magazine in August 1960, and subsequent writing about the movement in Tallahassee, and checking off against Whitehead’s fictional treatment, we find a lattice of silences obscuring the names and contributions of Black women. Most importantly, we find that the historic case of the rape of Betty Jean Owens in May 1959, and the subsequent trial that summer, appears neither in Baldwin’s nor Whitehead’s writing about Tallahassee at the time. This essay establishes the missing names of Black women in the places marked and unmarked by Baldwin in his work at the time, and puts the case of Betty Jean Owens on the historical map where it belongs. In so doing, we figure issues of race, gender, sex, and violence for the ways they twist together, ways suppressed in historical (and even some contemporary) writing, ways crucial to our deepening consideration of Baldwin’s work and the history which he drew upon and to which he contributed so profoundly.

James Baldwin Review
The structures of migration in Tales from Firozsha Baag
Peter Morey

characters who inhabit them as almost to constitute a character in their own right: examples include the American deep south in Faulkner’s Go Down, Moses, Joyce’s Dublin, and, here, Mistry’s Firozsha Baag.4 The sequence of stories also sometimes traces the psychological and intellectual development of a particular character from childhood to maturity. Finally, time is often depicted as cyclical rather than linear, with repetition and variation of situations allowing for a deepening of perspective on key themes: in Tales from Firozsha Baag, the stories ‘Squatter’, ‘Lend Me

in Rohinton Mistry