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The wall texts of a Percy family manuscript and the Poulys Daunce of St Paul’s Cathedral
Heather Blatt

, space, and embodiment are inextricably intertwined. For Hansen, these interactions create ‘wearable space’. He explores the notion of wearable space through the Japanese-American artist Arakawa’s concept of the ‘architectural body’: since the body, Hansen summarizes, is always a body in space, it thus becomes an architectural body.24 For Arakawa and his long-time collaborator Madeleine Gins, architecture contributes fundamentally to the fashioning of the self, acting as an ‘outer skin’ that dictates ‘our behavior, beliefs, [and] perceptions, as well as our ways of

in Participatory reading in late-medieval England