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proliferation of courses in film studies and media studies, the funding of access to the source materials has not increased at all . There can be surprisingly simple misunderstandings about what a film archive is. People who understand perfectly that they can’t walk in and browse around manuscript collections of the British Library are illogically outraged when a film archive refuses them access to original

in British cinema of the 1950s
From Vietnam to the war in the Persian Gulf

. 3 On articulation see Antonio Gramsci, Selections From Prison Notebooks (London: Lawrence & Wishart, 1971); Stuart Hall, ‘The Rediscovery of Ideology: The Return of the Repressed in Media Studies’, in Veronica Beechey and James Donald (eds), Subjectivity and Social Relations (Milton Keynes: Open University Press, 1996), pp. 23–55; Stuart

in Memory and popular film