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Sara Haslam

his wartime experiences to translate the action: ‘It would be long before you regarded an omnibus as something which should carry you smoothly along the streets of an ordered life. Nay, it had been revealed to you that beneath Ordinary Life itself was stretched the merest film with, beneath it, the abysses of Chaos’.12 Ford’s apprehension of abysses of chaos, and Eliot’s apprehension of ruin, demand a reconstruction of rules or forms within the new milieu which the writers perceive.13 Eliot’s climactic offering to the debate, The Waste Land, of 1922, was described

in Fragmenting modernism