Sauer, with Julia Hartmann, Michael Riedl, Tatsiana Saniuk, and Elisabeth Kubaschewski, 205 years of Beowulf translations and adaptations (1805–2010): a bibliography (Trier: Wissenschaftlicher Verlag Trier), p. 82; and John William Sutton, ‘Beowulfiana: modern adaptations of Beowulf’, University of Rochester, The Robbins Library, https://www.library.rochester.edu/robbins/beowulfiana (accessed 5 June 2019). Sauer has ‘only distantly related to Beowulf ’ and Sutton, ‘a fairly obscure Modernist novel
Reading practices and participation in digital and medieval media
23 See Brantley, Reading in the wilderness, and Robert L. A. Clark and
Pamela Sheingorn, ‘Performative reading: experiencing through the
poet’s body in Guillaume de Digulleville’s Pelerinage de Jhesucrist’,
in Cultural performances in medieval France: essays in honor of Nancy
Freeman Regalado, ed. Eglal Doss-Quinby, Roberta L. Krueger, and
E. Jane Burns (Rochester: Brewer, 2007), 135–51; also Robert L. A.
Clark and Pamela Sheingorn, ‘Performative reading: The illustrated
manuscripts of Arnoul Greban’s Mystere de la Passion’, European
medieval drama 6 (2002), 129
The wall texts of a Percy family manuscript and the Poulys Daunce of St Paul’s Cathedral
, detailed analysis of how the space of a Tudor estate
might be explored and analysed, see James M. Sutton, Materializing
space at an early modern prodigy house: the Cecils at Theobalds,
1564–1607 (Aldershot, UK and Burlington, VT: Ashgate, 2004).
8 Bernard Burke, The historic lands of England, vol. 2 (London: E.
Churton, 1849), 55.
9 John A. Goodall, ‘The great tower of Rochester Castle’, in Medieval
art, architecture, and archaeology at Rochester, ed. Tim Ayers and
Participatory reading in late-medieval England
Tim Tatton-Brown (Leeds: British Archaeological
Geoffrey Chaucer’s Troilus and Criseyde and John Lydgate’s Troy Book
Appendix A for quotations from texts providing invitations to
38 Lotte Hellinga, Caxton in focus: the beginning of printing in England
(London: British Library, 1982), 101–2, at 102.
39 On the role of the printing press in this period, see Julia Boffey, ‘From
manuscript to print: continuity and change’, in A companion to the
early printed book in Britain, 1476–1558, ed. Vincent Gillespie and
Susan Powell (Woodbridge, UK, and Rochester: Boydell and Brewer,
40 Barry Windeatt, ‘The scribes as Chaucer’s early critics’, Writing
after Chaucer: essential