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A queer history
Peter Buchanan

Sauer, with Julia Hartmann, Michael Riedl, Tatsiana Saniuk, and Elisabeth Kubaschewski, 205 years of Beowulf translations and adaptations (1805–2010): a bibliography (Trier: Wissenschaftlicher Verlag Trier), p. 82; and John William Sutton, ‘Beowulfiana: modern adaptations of Beowulf’, University of Rochester, The Robbins Library, https://www.library.rochester.edu/robbins/beowulfiana (accessed 5 June 2019). Sauer has ‘only distantly related to Beowulf ’ and Sutton, ‘a fairly obscure Modernist novel

in Dating Beowulf
Open Access (free)
Reading practices and participation in digital and medieval media
Heather Blatt

). 23 See Brantley, Reading in the wilderness, and Robert L. A. Clark and Pamela Sheingorn, ‘Performative reading: experiencing through the poet’s body in Guillaume de Digulleville’s Pelerinage de Jhesucrist’, in Cultural performances in medieval France: essays in honor of Nancy Freeman Regalado, ed. Eglal Doss-Quinby, Roberta L. Krueger, and E. Jane Burns (Rochester: Brewer, 2007), 135–51; also Robert L. A. Clark and Pamela Sheingorn, ‘Performative reading: The illustrated manuscripts of Arnoul Greban’s Mystere de la Passion’, European medieval drama 6 (2002), 129

in Participatory reading in late-medieval England
Open Access (free)
The wall texts of a Percy family manuscript and the Poulys Daunce of St Paul’s Cathedral
Heather Blatt

, detailed analysis of how the space of a Tudor estate might be explored and analysed, see James M. Sutton, Materializing space at an early modern prodigy house: the Cecils at Theobalds, 1564–1607 (Aldershot, UK and Burlington, VT: Ashgate, 2004).  8 Bernard Burke, The historic lands of England, vol. 2 (London: E. Churton, 1849), 55.  9 John A. Goodall, ‘The great tower of Rochester Castle’, in Medieval art, architecture, and archaeology at Rochester, ed. Tim Ayers and 160 Participatory reading in late-medieval England Tim Tatton-Brown (Leeds: British Archaeological

in Participatory reading in late-medieval England
Open Access (free)
Geoffrey Chaucer’s Troilus and Criseyde and John Lydgate’s Troy Book
Heather Blatt

Appendix A for quotations from texts providing invitations to emend. 38 Lotte Hellinga, Caxton in focus: the beginning of printing in England (London: British Library, 1982), 101–2, at 102. 39 On the role of the printing press in this period, see Julia Boffey, ‘From manuscript to print: continuity and change’, in A companion to the early printed book in Britain, 1476–1558, ed. Vincent Gillespie and Susan Powell (Woodbridge, UK, and Rochester: Boydell and Brewer, 2014), 13–26. 40 Barry Windeatt, ‘The scribes as Chaucer’s early critics’, Writing after Chaucer: essential

in Participatory reading in late-medieval England