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The Admirable Crichton and Look Back in Anger
and in the current high status of the work of Powell and Pressburger. 3 In theatre history, this has been paralleled by a reconsideration of the once despised Terence Rattigan (of interest because of the gay sub-text to his plays) and a re-evaluation of the crucial ‘moment’ of 1956; here, there is a sense that the real ‘turning point’ in post-war theatre was the first production of Samuel Beckett’s Waiting for Godot in