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Beckett’s Film
Philipp Schweighauser

nature of the immune response was their strict distinction between self and not-self. In fact, this distinction between self and not-self is so central that immunology has until fairly recently been known as ‘the science of self-nonself discrimination’. 12 Again, it was Burnet who crucially shaped immunological discourse through another seminal publication: Self and Not-self: Cellular Immunology, Book One ( 1969 ). 13 For Burnet and much of the immunobiological

in Beckett and media
Continuity and change
Erin Bell
and
Ann Gray

.’ The response, and the interview in general, seem to deal with the question of change to and within the monarchy, an issue of some interest at the time the interview was recorded (2008) because discussion of what was to become the 2013 Succession to the Crown Act was underway, encouraged by backbench MPs such as Evan Harris, whose Royal Marriages and Succession to the Crown (Prevention of Discrimination) Bill 2008

in The British monarchy on screen
Open Access (free)
Civil rites of passage
Sharon Monteith

Mississippi at the time and saw 60s elements in everything that was happening; which is to say that I saw discrimination, racism, deliberate intimidation of those who challenged the system, whether that was simply because they were black or because they were white and not staying in line. It was horrific to me at the time.’ 32 Herring’s experience reminds us that Annie Devine, the Canton

in Memory and popular film
Open Access (free)
Ian Scott
and
Henry Thompson

legality of homosexuality and discrimination more widely, one senses that the good will available to him is drying up. Despite these pointed remarks, the film was criticised by some for giving Castro an easy ride. In reviewing Comandante for the BBC, Jamie Russell suggested that Stone’s interviewing technique was insufficiently challenging and thought he was ‘painfully embarrassed by the necessity of asking tough questions.’50 Russell continued: Accepting some of the criticism, Stone acknowledged in the New York Times that perhaps the questioning in Comandante had not

in The cinema of Oliver Stone