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The early British films of Joseph Losey
Neil Sinyard

be a good thing. As Gavin Lambert said at the time: ‘There is a splendour about this film, which has one of the most absurdly extravagant plots on record, and never flinches from it.’ As well as the energy of the visual style, what also marks out Losey’s English films at this time is what one might call his American ‘baggage’ – his background and early experience in American

in British cinema of the 1950s