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Contemporary ‘British’ cinema and the nation’s monarchs
Andrew Higson

of Elizabeth equally demonstrate the extent to which the mise-en-scène of majesty is a theatrical construction in the early modern period as well, but in this case there is a clear link to political authority and agency that is absent from The Madness of King George . The late modern theatre of power is then a performance without political substance, although it still has a symbolic charge in

in The British monarchy on screen