. Martin Dodge and Rob
Kitchin (Dodge and Kitchin 2005 ; Kitchin and
Dodge 2011 ), alternately, trace the ways in
which digital codes instantiate themselves ubiquitously across the
everydaylife of organisations and, indeed, whole cities. These
data-based processes, as Daniel Neyland ( 2015 )
argues, speak of a broader trend by which technologies based on
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our language games that is essential to the creation of a legitimate
political order. In this process, an appreciation of the ‘art of
memory’ is being formed which attempts to arrange images into
memorable – or repeatable – order(s). In this way, a
certain sense of memory establishes a connection between the practical
level of everydaylife and behaviour and the ‘spellbound’
stratum of imaginary
Israeli security experience as an international brand
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