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Studies in intimacy

Featuring essays from some of the most prominent voices in early medieval English studies, Dating Beowulf: studies in intimacy playfully redeploys the word ‘dating’, which usually heralds some of the most divisive critical impasses in the field, to provocatively phrase a set of new relationships with an Old English poem. This volume presents an argument for the relevance of the early Middle Ages to affect studies and vice versa, while offering a riposte to anti-feminist discourse and opening avenues for future work by specialists in the history of emotions, feminist criticism, literary theory, Old English literature, and medieval studies alike. To this end, the chapters embody a range of critical approaches, from queer theory to animal studies and ecocriticism to Actor-Network theory, all organized into clusters that articulate new modes of intimacy with the poem.

Sustaining literature
Claire Colebrook

Despite the supposed game-changing nature of the Anthropocene as a geological event, popular culture and literary theory have tended to intensify the supposedly intrinsic value of human agency and survival. If there is a sublimity in the articulation of the Anthropocene it has been predominantly recuperative, where the threat to human existence intensifies a seemingly necessary moral future. To think about material sublimity would be to consider the Anthropocene as an inscriptive event that precludes the lures of redemption that have accompanied the geological stratigraphy. By exploring the logic of literary sustainability, which discloses an intimate relation between survival and destruction, I argue for rethinking the supposedly prima facie value of the future of what has inscribed itself as humanity.

in Literature and sustainability
Open Access (free)
Gill Rye and Michael Worton

’s Writing in France (Cambridge: Cambridge University Press, ), a collection of essays which treat historical periods from the Middle Ages to the late twentieth century, the latter period including separate essays on women’s fiction, autobiography, theatre, poetry and feminist literary theory; (d) Monographs: for example, Michele Bacholle, Un passé contraignant: double bind et transculturation (Amsterdam and Atlanta: Rodopi, ), on Farida Belghoul, Annie Ernaux and Agota Kristof; Colin Davis and Elizabeth Fallaize, French Fiction in the Mitterand Years: Memory

in Women’s writing in contemporary France
Simon Wortham

Mythologies: Writing, History and the West (London, Routledge, 1990), p. 89. 6 Burt, Licensed by Authority, pp. 152–3. 7 Jonathan Dollimore and Alan Sinfield, ‘Foreword’, in Jonathan Dollimore and Alan Sinfield (eds), Political Shakespeare: New Essays in Cultural Materialism (Manchester, Manchester University Press, 1985). 8 Margot Heinemann, ‘How Brecht read Shakespeare’, in Political Shakespeare, p. 203. Price_09_Ch9 196 14/10/02, 9:50 am Censorship and the institution of knowledge 197 9 Robert Young, ‘The politics of “the politics of literary theory”’, OLR, 10

in Francis Bacon’s <i>New Atlantis</i>
Foregrounding the body and performance in plays by Gina Moxley, Emma Donoghue and Marina Carr
Mária Kurdi

Spaces: Phenomenology and Performance in Contemporary Drama (Ithaca, NY and London: Cornell University Press), 1994, pp. 186–7. Elaine Aston, An Introduction to Feminism and Theatre (London and New York: Routledge, 1995), pp. 51–2. Lib Taylor, ‘Shape-shifting and Role-splitting: Theatre, Body and Identity’, in Naomi Segal, Lib Taylor and Roger Cook (eds), Indeterminate Bodies (London: Palgrave Macmillan, 2003), pp. 164–5. Judith Butler, ‘Performative Acts and Gender Constitution’ in Julie Rivkin and Michael Ryan (eds), Literary Theory: An Anthology, second edition

in Irish literature since 1990
Literary appreciation, comparatism, and universalism in the Straits Chinese Magazine
Porscha Fermanis

), 18, and SCM , 5:19 (September 1901), 96. Song and Lim were educated at the elite Raffles Institution in Singapore and subsequently as Queen’s Scholars at Cambridge and Edinburgh Universities, where Song studied law and Lim studied medicine. 8 SCM , 1:1 (March 1897), 2, 20; Philip Holden, ‘Communities and Conceptual Limits: Exploring Malaysian Literature in English’, Asiatic , 3:2 (2009), 58. 9 For a general overview, see Bonny Tan, The Straits Chinese Magazine : A Malayan Voice’, BiblioAsia , 7:2 (2011), 30–5. 10 Terry Eagleton, Literary Theory: An

in Worlding the south
The structures of migration in Tales from Firozsha Baag
Peter Morey

67 It is, in fact, possible to object to the violation involved in these intrusive parental meditations, in having Kersi’s parents disgorge chunks of semi-digested literary theory. The two figures reading these stories at home in Bombay appear to bear little relation to the carefully drawn characters in ‘Of White Hairs and Cricket’, for example. The voices in the last story do not ‘feel’ as if they belong to the same people. A certain amount of arbitrary grafting seems to have been involved to get the discussion underway. However, the tone makes sense if one reads

in Rohinton Mistry
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Southern worlds, globes, and spheres
Sarah Comyn and Porscha Fermanis

through colonial relations’ also finds expression in an ongoing distrust among Indigenous studies scholars towards literary criticism and theory. 44 Literature, as the Goori poet and scholar Evelyn Araluen argues, ‘is a term we apply to the textual products of the West, or those texts that reinforce accepted narratives of the other’, while literary theory is either ‘unconcerned with our material realities and processes of cultural production, or it has seized upon our creations for its tropes and metaphors’. 45 If for postcolonial scholars such as Gayatri Spivak

in Worlding the south
Open Access (free)
Daniel C. Remein and Erica Weaver

What would it mean to ‘date’ Beowulf? And what do we learn when we try? This playful pun on one of the more controversial terms in the scholarship on this poem allows a consideration of the range of intimacies generated by it as well as a conditioning of both the poem and its scholarship. Accordingly, this introductory chapter seeks to get intimate with Beowulf, drawing on critical discussions of affect, queer historiography, and contemporary literary theory in order to form a kind of dating profile that serves as a conceptual framework for the various modes of intimacy in and with the poem that emerge throughout the volume. Dating Beowulf coheres as a project in presenting a new set of readings – both critical and personal – that aim to generate new avenues of discussion for an Old English poem too often mired in critical impasses, and this opening essay frames the conversation accordingly, highlighting the various couplings and methodological approaches on display, while articulating the relevance of the early Middle Ages to affect studies and vice versa.

in Dating Beowulf
Open Access (free)
Rachel E. Hile

because of the repeated assertions during this time period—many of which I have quoted in this book—advising the reader against reading allegorically and claiming that only general criticisms are intended. Early modern literary theory does not shed much light on indirect satire because the connections that, for example, George Puttenham and Philip Sidney make between satire and comedy thus emphasize more aggressive, direct forms of satire. Sidney’s brief description asserts that satire will “make a man laugh at folly, and (at length ashamed) to laugh at himself ” and

in Spenserian satire