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Screenwriting from notebooks to screenplays
Anna Soa Rossholm

) and mod (courage). 17 Perhaps repeating the word ‘patience’, and the ensuing wordplay with its components, instils courage in the author to continue writing, and even to feel confident in ideas about which he previously had reservations. This notebook was written during a period when Bergman was taking aesthetic risks, searching for new aesthetic forms and ideas. The courage to develop new ideas may arise from the flow of the writing process itself. To use a typology coined by editorial theorist Siegfried

in Ingmar Bergman
Open Access (free)
Ian Scott
and
Henry Thompson

for his own assertions as an advocate for change.67 The films were imbued with Stone’s concerns about the US embrace of an increasingly blurred moral purchase, but ultimately they were not the primary means of expression of those concerns. This caused some worries for Stone’s supporters, but his choices were part of a wider exploration of new aesthetic possibilities that were already establishing themselves in his drama, most obviously in the increasing prominence given to a theme not often noted in his films: the subject of love. 1 Interview with Oliver Stone

in The cinema of Oliver Stone