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Invisibility and erasure in The Two Merry Milkmaids

’s Republic , in which ‘citizens are portrayed as living … in a cave … in which enchained men are shown images by others who parade objects before a fire, throwing shadows on a wall … It is no coincidence that, by descending into a cave and retrieving a magical ring, Plato’s Gyges gains a rhetorical power that enables him to enslave the people of his political community’, ‘Rhetoric and

in Making and unmaking in early modern English drama