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Behind the screen
Chloe Porter

. 22 See Karl Marx, Capital: A Critique of Political Economy , vol. 1, trans. Ben Fowkes (London: Pelican, 1976 ), pp. 163–8; see also Harris and Korda, ‘Introduction: Towards a Materialist Account of Stage Properties’, p. 17. 23 See Gent, Picture and Poetry , pp

in Making and unmaking in early modern English drama