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Beckett and nothing: trying to understand Beckett
Daniela Caselli

and popular film publication in order to use ‘nothing’ as a category to interrogate the fraught relation between cinema and literature in Film, thus providing a historical context for Bignell’s previous work on authority in Film. Introduction 11 Catherine Laws (Chapter 10) discusses the nexus between nothing and silence in order to analyse the specific relations between music, sound, and hearing from Dream of Fair to Middling Women to Ghost Trio and neither. Russell Smith (Chapter 11) goes back to biographical narratives (a former no-no of a certain critical

in Beckett and nothing