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Juvenile actors and humanitarian sentiment in the 1940s
Michael Lawrence

’ and sought to give civilians ‘an emotional investment in the United Nations’. 19 Bennett examines how Hollywood deployed ‘kinship discourses’ – ‘international romances, fraternal combat epics, or paternal fantasies’ – to ‘[facilitate] the big screen’s one-world sensibility by emotionalizing inter-Allied relations’; the significance of the child, however, and of paternal , maternal or parental

in Global humanitarianism and media culture