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Greeks and Saracens inGuy of Warwick

10 Romancing the East: Greeks and Saracens in Guy of Warwick Rebecca Wilcox Guy’s ties to the East For decades, literary critics such as Frederic Jameson and Stephen Knight have argued that medieval romance, for the most part, unquestioningly reflects dominant ideologies of the ruling elite.1 Far from conforming to this prescription, however, the fourteenth-century popular romance Guy of Warwick engages contemporary socio-political concerns in critical and transformative ways. Guy’s fantastic reworking of England’s past through its titular hero both recognises

in Pulp fictions of medieval England