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Quentin Crisp as Orlando’s Elizabeth I
Glyn Davis

became a key text in three distinct but overlapping discussions, concerning the relationship between heritage cinema and sexual difference, stereotyping and attempts to identify and define ‘queer cinema’. British heritage cinema in the 1980s and 1990s was most often associated with Merchant-Ivory Productions – the films of producer Ismail Merchant and director James Ivory, personal and professional

in The British monarchy on screen