Notes on developing a photo-ethnographic practice in Basilicata
in their territories for the promotion of their cultural events or to attract tourists. This has happened with Cartier-Bresson’s images in Tricarico (published in Cartier-Bresson 1990 ) or in Pietrapertosa, where they have been enlarged and hung in the locations where they were made ( image 7.1 ).
7.2 Colobraro, August 2018. Part of the set design for the streettheatre piece ‘ Notte a quel paese ’ juxtaposing images from Italy’s unification/annexation of the South with Franco Pinna’s 1952 photograph of the ‘enchantress’ of Colobraro.