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Pleasantville and the textuality of media memory

calls a ‘media hall of mirrors’ – a film style dependent on the dizzying mix and self-devouring quotation of historical, mythic and media references – Pleasantville left itself open to criticism of narrative confusion and, more seriously, of demonstrating a lack of political and/or historicist depth. 8 While not argued from the same neo-Marxian position as Jameson, comments

in Memory and popular film