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Writing on the body

) (Kolb 2011: xiv). Randy Martin’s Performance as Political Act is exemplary in its problematisation of the body in performance. His book Critical Moves has been groundbreaking in its approach to politics within dance studies. I discuss my conceptual relationship to his work under the next axis but here I note that his case studies are all from the context of American dance, from the Judson Church to his own participation in dance performances, Last Supper in Uncle Tom’s Cabin/​The Promised Land by Bill T. Jones (1990), multiculturalism and race within the United States

in Dance and politics