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Ian Scott and Henry Thompson

scenes while we were shooting. That’s to say, we would cover up some of the words where possible to save time and money later in the process. Probably wouldn’t do this now. Th e ci nem a of Ol iver   S to ne In relation to cable television 244 Stone: The television sales market has changed. I’m not up-​to-​date on it, but cable is now in any case the main purchaser of shows. Network television is much less subversive in terms of sex and language than cable. However, there are still pressures even with cable that can be applied to material. In the case of Comandante

in The cinema of Oliver Stone
Mandy Merck

photographic images are counterposed to the paintings in the royal residences and Downing Street. Their thematic purposes are multifold, but they mark a dramatic progress in which Diana – effectively portrayed as pretender to the throne – is supplanted in the televisual frame by the Queen, who is initially identified with the milieu and iconography of fine art. Only when this process has been completed can

in The British monarchy on screen
Letter to M. Cavell about cinema (a remake)
Joshua Foa Dienstag

binds us to it. What perfection the film embodies remains, therefore, out of reach for us and, as such, a hazard rather than a telos . “The miracle at Philadelphia” was the old name for the process of remarriage that gave us the United States as they currently exist, that is, as the “re-United States.” Having been brought into being only a few years

in Cinema, democracy and perfectionism