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Laura Suski

’ children by purchasing environmentally friendly products, or we might act against child labour practices in ‘distant’ nations by purchasing garments manufactured by particular companies. These practices raise several questions of a global humanitarianism for children. Can the intent to protect ‘our’ children extend to a more universalised impulse to protect ‘other’, more distant children? What are the limitations of

in Global humanitarianism and media culture

This collection interrogates the representation of humanitarian crisis and catastrophe, and the refraction of humanitarian intervention and action, from the mid-twentieth century to the present, across a diverse range of media forms: traditional and contemporary screen media (film, television and online video) as well as newspapers, memoirs, music festivals and social media platforms (such as Facebook, YouTube and Flickr). The book thus explores the historical, cultural and political contexts that have shaped the mediation of humanitarian relationships since the middle of the twentieth century. Together, the chapters illustrate the continuities and connections, as well as the differences, which have characterised the mediatisation of both states of emergency and acts of amelioration. The authors reveal and explore the significant synergies between the humanitarian enterprise, the endeavour to alleviate the suffering of particular groups, and media representations, and their modes of addressing and appealing to specific publics. The chapters consider the ways in which media texts, technologies and practices reflect and shape the shifting moral, political, ethical, rhetorical, ideological and material dimensions of international humanitarian emergency and intervention, and have become integral to the changing relationships between organisations, institutions, governments, individual actors and entire sectors.

Grassroots exceptionalism in humanitarian memoir
Emily Bauman

Memoir has for some time played a significant role in the expansion and interpretation of the humanitarian industry. It was Henri Dunant’s 1862 memoir A Memory of Solferino that made the case for the first global institutionalisation of humanitarian work in the ICRC (International Committee of the Red Cross) and Geneva Convention, and Moritz Thomsen’s 1969 memoir Living Poor

in Global humanitarianism and media culture
Open Access (free)
Television and the politics of British humanitarianism
Andrew Jones

The mass media is a critical actor in the global humanitarian system. New communication technologies have publicised and drawn attention to disasters and faraway suffering, collapsing the distance between global North and South, mobilising public empathy and accelerating the growth of international NGOs. 1 The linkages between humanitarianism and the media have been analysed from a range of

in Global humanitarianism and media culture
Open Access (free)
Michael Lawrence and Rachel Tavernor

such as Jonathan Benthall and Kevin Rozario suggest that global humanitarianism acquired its distinctive contemporary ethos and form in the West with the founding of the International Committee of the Red Cross in 1863, and subsequently with the work of the American Red Cross during the First World War. 8 However, humanitarianism underwent a significant shift in the aftermath of the Second World War. Craig Calhoun, for example, claims the civilian

in Global humanitarianism and media culture
Journalism practice, risk and humanitarian communication
Jairo Lugo-Ocando and Gabriel Andrade

distant suffering affects all. However, is it really realistic to expect that people in the global North understand, assume and feel risk in the same manner as people in the global South? After all, those living in the North live in conditions that make it very unlikely that they will ever have to confront the same type of humanitarian risks as those in the South, and chances are they never will. To advance

in Global humanitarianism and media culture
From starving children to satirical saviours
Rachel Tavernor

social networking platform, which dictates both the type of communication produced and how users can respond to issues, such as encouraging people to ‘like’ global poverty.  Governing visibility In the twentieth century the communication of humanitarianism was governed by traditional media powers, including mainstream newspaper and TV news editors. The power to

in Global humanitarianism and media culture
Toby Fricker

work by aid agencies and their close relationship with journalists. Simon Cottle and David Nolan claim that, ‘These developments imperil the very ethics and project of global humanitarianism that aid agencies historically have done so much to promote’. 10 Glenda Cooper also questions the editorial integrity of journalists working with aid agencies: ‘While journalists – if sometimes imperfectly – work on the principle of

in Global humanitarianism and media culture
The United States Peace Corps in the early 1960s
Agnieszka Sobocinska

of its glamour rub off on them . The Beautiful Americans The previous section established the extent of the Peace Corps’ publicity, but what messages did it convey? Despite its global vision, Peace Corps publicity was overwhelmingly focused on America. In publicity, the Peace Corps was framed as an expression of American goodwill, and Peace Corps volunteers as the

in Global humanitarianism and media culture
Open Access (free)
The management of migration between care and control
Pierluigi Musarò

. 2 S. Castles and M. J. Miller , The Age of Migration: International Population Movements in the Modern World ( Basingstoke : Palgrave Macmillan , 2009 ); K. Moore , B. Gross and T. R. Threadgold (eds), Migrations and the Media: Global Crises and the Media ( New York : Peter Lang , 2012 ). 3

in Global humanitarianism and media culture