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Letter to M. Cavell about cinema (a remake)

attempting to flee. Nearly lifeless with grief, she is marched back into the house she was attempting to leave, welcomed warmly but quite formally by her husband (with a handshake, not a kiss), all the while with a look of absolute expressionless abjection on her face. Her spirit has fled and only her near lifeless body remains for membership in the polity. In The Philadelphia Story

in Cinema, democracy and perfectionism