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The Marshall Plan films about Greece

Movement. By 1951, Jennings had forged one of the most sophisticated approaches to cinematographic ‘polysemy’ and ‘iconographic displacement’ in the documentary film mode. 32 The Good Life shares a common aesthetic trait with the majority of the MP films about Greece: the referencing of the country’s ancient heritage, intertwined with the contemporaneous geopolitical landscape. But The Good Life

in Global humanitarianism and media culture