history approach, which seeks both to set humanitarianism within a
longer context of imperial and neocolonial histories, and to explore how these
histories framed humanitarian and development action ( Hilton et al. , 2018 ). This conversation
has an importance beyond historiography – for example, in the increasing
focus on the idea of a ‘white saviour complex’ among humanitarian
actors, and the way that humanitarianism is impacted by racism and the associated
Writing about Personal Experiences of Humanitarianism
was very confused – a mixture of creative narrative and academic historiography– as I sought to position my experiences in context. It was all a lengthy, unedited mess to be honest, but at least I had finally ‘got it out of my system’.
RR: Did you have an imagined audience in mind while you wrote the book? Did that influence how you approached the writing?
TR: I had three audiences in mind. First, I wanted my colleagues, both academic and clinical, to accept the contents, and at times criticisms, as a true and fair reflection of the events that they either
The Visual Politics and Narratives of Red Cross Museums in Europe and the
United States, 1920s to 2010s
This essay discusses Red Cross museums as a medium of humanitarian communication. A
long-neglected theme in public history and the historiography of humanitarianism,
Red Cross museums today are vital agents in the movement’s work to
communicate the values, missions, and historical achievements of Red Cross societies
around the world. Local publics find those museums in the United States, the UK, or
Germany – which has more than a
In the seventeenth and eighteenth centuries, historians of England pioneered a series of new approaches to the history of economic policy. Commerce, finance and statecraft charts the development of these forms of writing and explores the role they played in the period's economic, political and historiographical thought. Through doing so, the book makes a significant intervention in the study of historiography, and provides an original account of early-modern and Enlightenment history. A broad selection of historical writing is discussed, ranging from the work of Francis Bacon and William Camden in the Jacobean era, through a series of accounts shaped by the English Civil War and the party-political conflicts that followed it, to the eighteenth-century's major account of British history: David Hume's History of England. Particular attention is paid to the historiographical context in which historians worked and the various ways they copied, adapted and contested one another's narratives. Such an approach enables the study to demonstrate that historical writing was the site of a wide-ranging, politically charged debate concerning the relationship that existed – and should have existed – between government and commerce at various moments in England’s past.
Vaccinating Britain investigates the relationship between the British public and vaccination policy since 1945. It is the first book to examine British vaccination policy across the post-war period and covers a range of vaccines, providing valuable context and insight for those interested in historical or present-day public health policy debates. Drawing on government documents, newspapers, internet archives and medical texts it shows how the modern vaccination system became established and how the public played a key role in its formation. British parents came to accept vaccination as a safe, effective and cost-efficient preventative measure. But occasional crises showed that faith in the system was tied to contemporary concerns about the medical profession, the power of the state and attitudes to individual vaccines. Thus, at times the British public demanded more comprehensive vaccination coverage from the welfare state; at others they eschewed specific vaccines that they thought were dangerous or unnecessary. Moreover, they did not always act uniformly, with “the public” capable of expressing contradictory demands that were often at odds with official policy. This case study of Britain’s vaccination system provides insight into the relationship between the British public and the welfare state, as well as contributing to the historiography of public health and medicine.
Stage women, 1900–50 explores the many ways in which women conceptualised, constructed and participated in networks of professional practice in the theatre and performance industries between 1900 and 1950. A timely volume full of original research, the book explores women’s complex negotiations of their agency over both their labour and public representation, and their use of personal and professional networks to sustain their careers. Including a series of case studies that explore a range of well-known and lesser-known women working in theatre, film and popular performance of the period. The volume is divided into two connected parts. ‘Female theatre workers in the social and theatrical realm’ looks at the relationship between women’s work – on- and offstage – and autobiography, activism, technique, touring, education and the law. Part II, ‘Women and popular performance’, focuses on the careers of individual artists, once household names, including Lily Brayton, Ellen Terry, radio star Mabel Constanduros, and Oscar-winning film star Margaret Rutherford. Overall, the book provides new and vibrant cultural histories of women’s work in the theatre and performance industries of the period.
Street theatre and the production of postindustrial space explores how street theatre transforms industrial space into postindustrial space. Deindustrializing communities have increasingly turned to cultural projects to commemorate industrial heritage while simultaneously generating surplus value and jobs in a changing economy. Through analysis of French street theatre companies working out of converted industrial sites, this book reveals how theatre and performance more generally participate in and make historical sense of ongoing urban and economic change. The book argues, firstly, that deindustrialization and redevelopment rely on the spatial and temporal logics of theatre and performance. Redevelopment requires theatrical events and performative acts that revise, resituate, and re-embody particular pasts. The book proposes working memory as a central metaphor for these processes. The book argues, secondly, that in contemporary France street theatre has emerged as working memory's privileged artistic form. If the transition from industrial to postindustrial space relies on theatrical logics, those logics will manifest differently depending on geographic context. The book links the proliferation of street theatre in France since the 1970s to the crisis in Fordist-Taylorist modernity. How have street theatre companies converted spaces of manufacturing into spaces of theatrical production? How do these companies (with municipal governments and developers) connect their work to the work that occurred in these spaces in the past? How do those connections manifest in theatrical events, and how do such events give shape and meaning to redevelopment? Street theatre’s function is both economic and historiographic. It makes the past intelligible as past and useful to the present.
critical and accessible historical overviews of medicine and health
in modern Belgium.
A focus on national frameworks does not exclude
contributing to a wider historiography. On the contrary, by developing
the Belgian case study more deeply and broadly, we seek to offer insight
into a European historiography of medicine for the twenty-first century.
We do this, first, by engaging thoroughly with the second
Between roughly 1450 and 1750, secular,
Inquisitorial, and ecclesiastical courts across continental Europe,the
British Isles,and the American colonies tried approximately 110,000 people
for the crime of witchcraft, executing around 60,000. 1 All historiography dealing with early
modern witchcraft is concerned,on some level,with explaining why this
happened. There is no shortage of interpretations: the last thirty years
common subjects in witchcraft
historiography. Specialists in early modern witchcraft are aware that it was
not sex-specific,even among the most misogynist demonologists.Modern
scholars of various ideological and methodological leanings have excluded
male witches from witchcraft historiography by either ignoring or
‘declassifying’ them. This exclusion betrays the unreflexive
nature of much witchcraft historiography,in which