Open Access (free)
A war of extermination, grave looting, and culture wars in the American West
Tony Platt

1 Bitter legacies: a war of extermination, grave looting, and culture wars in the American West1 Tony Platt And so they are ever returning to us, the dead. (W. G. Sebald, 1993) I don’t think we ought to focus on the past. (Ronald Reagan, Bitburg Cemetery, 1985) Let not your sorrow die, though I am dead. (Shakespeare, Titus Andronicus) In 2012, the ‘Corpses of mass violence and genocide’ annual conference turned a critical eye on agents of injustice and asked, what do practices of mass destruction tell us about larger political, social, and cultural issues

in Human remains and identification
Open Access (free)
Jane Eyre in Elizabeth Stoddard’s New England
Anne-Marie Ford

3 Gothic legacies: Jane Eyre in Elizabeth Stoddard’s New England Anne-Marie Ford ‘What do you think of those scenes in Jane Eyre where she watches with a professional eye the rising of [Rochester’s] passional emotions, and skilfully prevents any culmination of feeling by changing her manner? – Did anybody ever notice it?’1 These questions come from a letter, dated 5 May 1860, to the American writer and critic James Russell Lowell, from an aspiring New England writer, Elizabeth Drew Barstow Stoddard. Lowell had recently accepted one of Stoddard’s short stories

in Special relationships
Promises and perils
Prashanth Parameswaran

-based international order, the Obama administration made the region and the regional grouping a vital part of its so-called “Rebalance” to the Asia Pacific and took measures to concretise this across countries and realms. Yet as this chapter will show, by the end of his second term, Obama’s legacy in US–ASEAN relations in fact remained quite mixed. On the one hand, the administration achieved some notable success in increasing and institutionalising a higher level of attention to Southeast Asia, committing Washington to Asia’s multilateral diplomatic framework, and improving

in The United States in the Indo-Pacific
T.S. Eliot and Gothic hauntings in Waugh’s A Handful of Dust and Barnes’s Nightwood
Avril Horner and Sue Zlosnik

11 Unreal cities and undead legacies: T.S. Eliot and Gothic hauntings in Waugh’s A Handful of Dust and Barnes’s Nightwood Avril Horner and Sue Zlosnik By the mid 1930s, when Waugh’s A Handful of Dust and Barnes’s Nightwood were published, The Waste Land (1922) had been absorbed into high culture and T.S. Eliot was established as an important man of letters both in England and in the United States. The transatlantic nature of Modernism itself, exemplified by the lives and works of Eliot, H.D., Pound, Stein and Barnes, was part of a newly dynamised interchange

in Special relationships
A Roundtable Conversation at the 2014 American Studies Convention
Brian Norman, Aliyyah I. Abdur-Rahman, John E. Drabinski, Julius Fleming, Nigel Hatton, Dagmawi Woubshet, and Magdalena Zaborowska

Six key Baldwin scholars converged at the 2014 American Studies Association to consider the question of privacy, informed by their own book-length projects in process. Key topics included Baldwin’s sexuality and the (open) secret, historical lack of access to privacy in African-American experience, obligations for public representation in African-American literary history, Baldwin’s attempts to construct home spaces, public access to Baldwin’s private documents, and ethical matters for scholars in creating and preserving Baldwin’s legacy, including his final home in St. Paul-de-Vence.

James Baldwin Review

James Baldwin Review (JBR) is an annual journal that brings together a wide array of peer‐reviewed critical and creative non-fiction on the life, writings, and legacy of James Baldwin. In addition to these cutting-edge contributions, each issue contains a review of recent Baldwin scholarship and an award-winning graduate student essay. James Baldwin Review publishes essays that invigorate scholarship on James Baldwin; catalyze explorations of the literary, political, and cultural influence of Baldwin’s writing and political activism; and deepen our understanding and appreciation of this complex and luminary figure.

Cameron Ross

FAD2 10/17/2002 5:41 PM Page 17 2 The Soviet legacy and Russian federalism, 1991–93 Russian federalism and the Soviet legacy According to the 1977 Constitution, ‘the Union of Soviet Socialist Republics’ was a ‘unified, federal, multinational state formed on the principle of socialist federalism’. The federation, which was established according to the dual principles of ethnicity and territory, encompassed fifteen ethnically defined union republics, twenty autonomous republics, eight autonomous oblasts, ten autonomous okrugs, and 159 territorially based

in Federalism and democratisation in Russia
The Rising Relevance of James Baldwin
Justin A. Joyce, Douglas Field, and Dwight A. McBride
James Baldwin Review
Bert Ingelaere

Introduction The peculiar course of the gacaca process introduced in Rwandan society to deal with the legacy of the 1994 genocide against Tutsi has been thoroughly examined in book-length scholarly studies ( Clark, 2010 ; Ingelaere, 2016 ; Chakravarty, 2015 ; Doughty, 2016 ; Longman, 2017 ). 1 Not only observations of trial proceedings but also survey results and popular narratives collected during fieldwork indicate that testimonial activity – both confessions but especially accusations – was the cornerstone of the gacaca system ( Penal Reform

Journal of Humanitarian Affairs
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James Baldwin and the Broken Silences of Black Queer Men
McKinley E Melton

James Baldwin writes within and against the testimonial tradition emerging from the Black Church, challenging the institution’s refusal to acknowledge the voices and experiences of black queer men. Baldwin’s autobiographical novel, Go Tell It on the Mountain, creates a space for Baldwin’s testimony to be expressed, and also lays the foundation for a tradition of black queer artists to follow. In the contemporary moment, poet Danez Smith inhabits Baldwin’s legacy, offering continuing critiques of the rigidity of conservative Christian ideologies, while publishing and performing poetry that gives voice to their own experiences, and those of the black queer community at large. These testimonies ultimately function as a means of rhetorical resistance, which not only articulates black queer lives and identities, but affirms them.  

James Baldwin Review