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The Journal of Humanitarian Affairs is an exciting, new open access journal hosted jointly by The Humanitarian Affairs Team at Save the Children UK, and Centre de Réflexion sur l’Action et les Savoirs Humanitaires MSF (Paris) and the Humanitarian and Conflict Response Institute at the University of Manchester. It will contribute to current thinking around humanitarian governance, policy and practice with academic rigour and political courage. The journal will challenge contributors and readers to think critically about humanitarian issues that are often approached from reductionist assumptions about what experience and evidence mean. It will cover contemporary, historical, methodological and applied subject matters and will bring together studies, debates and literature reviews. The journal will engage with these through diverse online content, including peer reviewed articles, expert interviews, policy analyses, literature reviews and ‘spotlight’ features.

Our rationale can be summed up as follows: the sector is growing and is facing severe ethical and practical challenges. The Journal of Humanitarian Affairs will provide a space for serious and inter-disciplinary academic and practitioner exchanges on pressing issues of international interest.

The journal aims to be a home and platform for leading thinkers on humanitarian affairs, a place where ideas are floated, controversies are aired and new research is published and scrutinised. Areas in which submissions will be considered include humanitarian financing, migrations and responses, the history of humanitarian aid, failed humanitarian interventions, media representations of humanitarianism, the changing landscape of humanitarianism, the response of states to foreign interventions and critical debates on concepts such as resilience or security.

This collection interrogates the representation of humanitarian crisis and catastrophe, and the refraction of humanitarian intervention and action, from the mid-twentieth century to the present, across a diverse range of media forms: traditional and contemporary screen media (film, television and online video) as well as newspapers, memoirs, music festivals and social media platforms (such as Facebook, YouTube and Flickr). The book thus explores the historical, cultural and political contexts that have shaped the mediation of humanitarian relationships since the middle of the twentieth century. Together, the chapters illustrate the continuities and connections, as well as the differences, which have characterised the mediatisation of both states of emergency and acts of amelioration. The authors reveal and explore the significant synergies between the humanitarian enterprise, the endeavour to alleviate the suffering of particular groups, and media representations, and their modes of addressing and appealing to specific publics. The chapters consider the ways in which media texts, technologies and practices reflect and shape the shifting moral, political, ethical, rhetorical, ideological and material dimensions of international humanitarian emergency and intervention, and have become integral to the changing relationships between organisations, institutions, governments, individual actors and entire sectors.

Open Access (free)
The production of sports media broadcasts

draws attention not to sports media representations but to the processes by which these representations are produced. It considers how humans and technologies assemble together to produce what we view to be a seamless television broadcast. One of the most interesting aspects of a television broadcast is its global accessibility. A broadcast makes one game in a single location visible to countless people who are physically distant from where the game is happening. Broadcasts can also cross borders, with numerous

in Sport and technology
Public presence, discourse, and migrants as threat

This chapter looks at the hunger strike of migrants in the Law School building of the University of Athens in 2011. The focus lies on the media representations of the occupation of the building and the discursive construction of threats around the hunger strike. Notably, the construction of threat images turns out to be closely related to the university and the Law School building – both as an institution and as a concrete building – whose dignity was presented as endangered.

in Security/ Mobility
Open Access (free)
The Algerian war and the ‘emancipation’ of Muslim women, 1954–62

In May 1958, and four years into the Algerian War of Independence, a revolt again appropriated the revolutionary and republican symbolism of the French Revolution by seizing power through a Committee of Public Safety. This book explores why a repressive colonial system that had for over a century maintained the material and intellectual backwardness of Algerian women now turned to an extensive programme of 'emancipation'. After a brief background sketch of the situation of Algerian women during the post-war decade, it discusses the various factors contributed to the emergence of the first significant women's organisations in the main urban centres. It was only after the outbreak of the rebellion in 1954 and the arrival of many hundreds of wives of army officers that the model of female interventionism became dramatically activated. The French military intervention in Algeria during 1954-1962 derived its force from the Orientalist current in European colonialism and also seemed to foreshadow the revival of global Islamophobia after 1979 and the eventual moves to 'liberate' Muslim societies by US-led neo-imperialism in Afghanistan and Iraq. For the women of Bordj Okhriss, as throughout Algeria, the French army represented a dangerous and powerful force associated with mass destruction, brutality and rape. The central contradiction facing the mobile socio-medical teams teams was how to gain the trust of Algerian women and to bring them social progress and emancipation when they themselves were part of an army that had destroyed their villages and driven them into refugee camps.

Open Access (free)

perspectives inform their approaches to and understanding of the relationship between humanitarianism and media culture. Our authors reveal and explore the significant synergies between the humanitarian enterprise, the endeavour to alleviate the suffering of particular groups, and media representations, and their modes of addressing and appealing to specific publics. The humanitarian community has more recently (since the end of the

in Global humanitarianism and media culture
Open Access (free)
Public anger in research (and social media)

accessed 22 May 2016]. 1 The term ‘culture jamming’ was coined in 1984 by Don Joyce of the experimental music band Negativland, and since then has become more widely used to mean the appropriation and subversion of media representations. See Chandler and Neumark ( 2005 ).

in Go home?

interviewees were aware of media representations of out-of-home storage as somber, uncomfortable places. Urban folklore, films, and crime novels often situate shady activities in attics or basements with long, winding corridors – spaces that are dark, dirty, unsafe, and mysterious. The iconic place is a turn-of-the-twentieth-century Victorian apartment block, with a creaky elevator going several floors up to spooky attics or down to spooky basements. It is not difficult to imagine the uneasy feeling when lights go off and one finds oneself in complete darkness, with only

in Overwhelmed by overflows?
Open Access (free)
Passion and politics

an organisation, the EDL makes for a slippery object of study. This, it has been argued here, is not only because of the diversity within its ranks but because the movement is constituted in reflexive engagement with its own external representation. This representation as racist (as well as thuggish, drunken and uneducated) is a constant concern of activists. At one level these media representations of the movement confirm a sense of victim status and ‘conspiracy’ between political and cultural elites to silence ‘ordinary’ voices and concerns; in this sense they

in Loud and proud
Open Access (free)

followed beyond the point at which the governing bodies introduce the new technology, to examine how the new assemblage affects other, often unexpected, parts of the actor-network. Chapter 7 considers one of the most important relationships within sport: the sport media connection. However, this chapter is different from much of the other literature written on the topic as it focuses not on media representations but on the processes by which these representations are produced. It considers how humans and

in Sport and technology