Open Access (free)
Dead bodies, evidence and the death march from Buchenwald to Dachau, April–May 1945
Christopher E. Mauriello

This article utilises the theoretical perspectives of the forensic turn to further expand our historical understandings and interpretations of the events of the Holocaust. More specifically, it applies a theory of the materialities of dead bodies to historically reconstruct and reinterpret the death march from Buchenwald to Dachau from 7 to 28 April 1945. It focuses on dead bodies as ‘evidence’, but explores how the evidential meanings of corpses along the death-march route evolved and changed during the march itself and in the aftermath of discovery by approaching American military forces. While drawing on theories of the evidential use of dead bodies, it remains firmly grounded in empirical historical research based on archival sources. The archives at the Buchenwald Concentration Camp contain eyewitness accounts and post-war trial testimony that enable a deeply contextualised ‘microhistory’ of the geography, movements, perpetrators, victims and events along this specific death march in April and May 1945. This ‘thick description’ provides the necessary context for a theoretical reading of the changing evidential meanings of dead bodies as the death march wove its way from Buchenwald to Dachau and the war and the Holocaust drew to an end.

Human Remains and Violence: An Interdisciplinary Journal
James Baldwin in Conversation with Fritz J. Raddatz (1978)
Gianna Zocco

This is the first English-language publication of an interview with James Baldwin conducted by the German writer, editor, and journalist Fritz J. Raddatz in 1978 at Baldwin’s house in St. Paul-de-Vence. In the same year, it was published in German in the weekly newspaper Die Zeit, as well as in a book of Raddatz’s conversations with international writers, and—in Italian translation—in the newspaper La Repubblica. The interview covers various topics characteristic of Baldwin’s interests at the time—among them his thoughts about Jimmy Carter’s presidency, his reasons for planning to return to the United States, his disillusionment after the series of murders of black civil rights activists in the 1960s and 1970s, and the role of love and sexuality in his literary writings. A special emphasis lies on the discussion of possible parallels between Nazi Germany and U.S. racism, with Baldwin most prominently likening the whole city of New York to a concentration camp. Due to copyright reasons, this reprint is based on an English translation of the edited version published in German. A one-hour tape recording of the original English conversation between Raddatz and Baldwin is accessible at the German literary archive in Marbach.

James Baldwin Review
James Baldwin and Fritz Raddatz
Gianna Zocco

When James Baldwin in No Name in the Street discusses the case of Tony Maynard, who had been imprisoned in Hamburg in 1967, he emphasizes that his efforts to aid his unjustly imprisoned friend were greatly supported by his German publishing house Rowohlt and, in particular, by his then-editor Fritz Raddatz (1931–2015). While the passages on Maynard remain the only instance in Baldwin’s published writings in which Raddatz—praised as a courageous “anti-Nazi German” and a kindred ally who “knows what it means to be beaten in prison”—is mentioned directly, the relation between Baldwin and Raddatz has left traces that cover over fifty years. The African-American writer and Rowohlt’s chief editor got to know each other around 1963, when Baldwin was first published in Germany. They exchanged letters between 1965 and 1984, and many of Raddatz’s critical writings from different periods—the first piece from 1965, the last from 2014—focus of Baldwin’s books. They also collaborated on various projects—among them a long interview and Baldwin’s review of Roots—which were all published in the German weekly newspaper Die Zeit, where Raddatz served as head of the literary and arts sections from 1977 to 1985. Drawing on published and unpublished writings of both men, this article provides a discussion of the most significant facets of this under-explored relationship and its literary achievements. Thereby, it sheds new light on two central questions of recent Baldwin scholarship: first, the circumstances of production and formation crucial to Baldwin’s writings of the 1970s and 1980s, and secondly, Baldwin’s international activities, his transcultural reception and influence.

James Baldwin Review
German Responses to the June 2019 Mission of the Sea-Watch 3
Klaus Neumann

. Most of the more than 4200 comments posted within that time applaud Kellner and are informed by hatred. Some contain threats. For example, ‘Grillgucker’ wrote: ‘A bullet between the eyes would solve the problem.’ Others referred to her as Assel (woodlouse) or Zecke (tick), or to her and her supporters as Volksverräter , the term used in Nazi Germany for traitors. Carola Rackete may seem to be an unlikely role model for mainstream Germans, but her persona is also a small part of the reason for the traction the issue gained. For a start, she is comparatively

Journal of Humanitarian Affairs
Open Access (free)
Humanitarianism in a Post-Liberal World Order
Stephen Hopgood

and the Congo, or the British and Mau Mau, or the French in Algeria. As the Americans joined the fray post World War II (after Nazi Germany’s attempt to exterminate the Jews, and after the US dropped two atomic bombs on civilians without warning), we can fast-forward to the use of nerve agents in Vietnam, the mass bombing of civilians in Cambodia, the giving of a green light to the government in East Pakistan to commit genocide in what is now Bangladesh or the political support the US gave to Pinochet and the Khmer Rouge. We can go back to the

Journal of Humanitarian Affairs
Open Access (free)
Reinterpreting Russia in the twenty-first century
Andrew Monaghan

references to the Cold War serves to distort understanding of Russia, the references to mid-twentieth-century Nazi Germany, so evident in the wake of the war in Ukraine, even more. They distort the debate by short-circuiting it, silencing dissent through guilt by association, and anchoring the discussion to an increasingly mythical and politicised twentieth century, and facilitating easy assumptions about eternal

in The new politics of Russia
Consumerism and alienation in 1950s comedies
Dave Rolinson

over Nazi Germany’s unsportingly ruthless professionalism, but their villains, rather than being improbably moustached failed Austrian artists, are profiteering businesses. Throughout the decade’s comedies, consumerism is the enemy of consensus, an alienating presence impinging on the value of work and, through the individualising agency of television, the domestic space. The

in British cinema of the 1950s
Open Access (free)
The daily work of Erich Muhsfeldt, chief of the crematorium at Majdanek concentration and extermination camp, 1942–44
Elissa Mailänder

the exclusion of Jews in Nazi-Germany. Reflections on open questions’, in D. Bankier (ed.), Probing the Depths of German Antisemitism (New York: Berghahn Books, 2000), pp. 296–311; A. Lüdtke, ‘People working: everyday life and German Fascism’, History Workshop Journal, 50 (2000), 75–92. Muhsfeldt was sentenced to death and hanged in Krakow, while on 11 July 1975 the Cologne Public Prosecutor’s Office accused Seitz of premeditated joint murder and murder in several individual cases in Lublin Majdanek concentration camp between December 1941 and early 1944. Seitz was

in Destruction and human remains
Robert Fine and Philip Spencer

, Herbert Marcuse) was employed as an analyst of Nazi Germany by the US government, which was better informed about the mass killing of Jews than was for many years admitted. 65 It might also be argued that it is unfair to criticise members of the Frankfurt School with the benefit of hindsight given the widespread failure to understand what was happening to Jews. 66 After all, ‘even veteran anti-Semites found it hard to imagine that the Nazi regime seriously intended to make the

in Antisemitism and the left
Open Access (free)
Theatre and the politics of engagement
Author: Simon Parry

This book is about science in theatre and performance. It explores how theatre and performance engage with emerging scientific themes from artificial intelligence to genetics and climate change. The book covers a wide range of performance forms from the spectacle of the Paralympics Opening Ceremony to Broadway musicals, from experimental contemporary performance and opera to educational theatre, Somali poetic drama and grime videos. It features work by pioneering companies including Gob Squad, Headlong Theatre and Theatre of Debate as well as offering fresh analysis of global blockbusters such as Wicked and Urinetown. The book offers detailed description and analysis of theatre and performance practices as well as broader commentary on the politics of theatre as public engagement with science. It documents important examples of collaborative practice with extended discussion of the Theatre of Debate process developed by Y Touring theatre company, exploration of bilingual theatre-making in East London and an account of how grime MCs and dermatologists ended up making a film together in Birmingham. The interdisciplinary approach draws on contemporary research in theatre and performance studies in combination with key ideas from science studies. It shows how theatre can offer important perspectives on what the philosopher of science Isabelle Stengers has called ‘cosmopolitics’. The book argues that theatre can flatten knowledge hierarchies and hold together different ways of knowing.