Bert Ingelaere

Introduction The peculiar course of the gacaca process introduced in Rwandan society to deal with the legacy of the 1994 genocide against Tutsi has been thoroughly examined in book-length scholarly studies ( Clark, 2010 ; Ingelaere, 2016 ; Chakravarty, 2015 ; Doughty, 2016 ; Longman, 2017 ). 1 Not only observations of trial proceedings but also survey results and popular narratives collected during fieldwork indicate that testimonial activity – both confessions but especially accusations – was the cornerstone of the gacaca system ( Penal Reform

Journal of Humanitarian Affairs
Timothy Longman

Introduction Beginning in 1990, the small Central African country of Rwanda was shaken by a pro-democracy movement and a rebel invasion, led by exiled members of the minority Tutsi ethnic group. The government responded to the dual pressures of protest and war by offering political reforms while simultaneously seeking to regain popularity with the members of the majority Hutu group by stirring up anti-Tutsi ethnic sentiments. Both a number of new domestic human rights groups and international human rights organisations documented the regime’s repression of

Journal of Humanitarian Affairs
Rémi Korman

Representations of Rwanda have been shaped by the display of bodies and bones at Tutsi genocide memorial sites. This phenomenon is most often only studied from the perspective of moral dimensions. This article aims in contrast to cover the issues related to the treatment of human remains in Rwanda for commemorative purposes from a historical perspective. To this end, it is based on the archives of the commissions in charge of genocide memory in Rwanda, as well as interviews with key memorial actors. This study shows the evolution of memorial practices since 1994 and the hypermateriality of bodies in their use as symbols, as well as their demobilisation for the purposes of reconciliation policies.

Human Remains and Violence: An Interdisciplinary Journal
Sidi NDiaye

This article describes the brutalisation of the bodies of Tutsi and Jewish victims in 1994 and during the Second World War, respectively, and contrasts the procedures adopted by killers to understand what these deadly practices say about the imaginaries at work in Rwanda and Poland. Dealing with the infernalisation of the body, which eventually becomes a form of physical control, this comparative work examines the development of groups and communities of killers in their particular social and historical context. Different sources are used, such as academic works, reports from victims organisations and non-governmental organisations, books, testimonies and film documentaries.

Human Remains and Violence: An Interdisciplinary Journal
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Healthcare in Syria Roborgh Sophie sophie.roborgh@manchester.ac.uk 01 05 2020 08 12 2020 2 2 2 2 13 13 21 21 39 10.7227/JHA.039 Assembling Styles of Truth in Rwanda’s Gacaca Process Ingelaere Bert bert.ingelaere@uantwerp.be 01 05 2020 08 12 2020 2 2 2 2 22 22 30 30 40 10.7227/JHA.040 ‘Who Can Sing the Song of MSF?’ The Politics of ‘Proximity’ and

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Jarvis Helen October 2015 1 1 2 2 36 36 55 55 10.7227/HRV.1.2.5 Mobilising the dead? The place of bones and corpses in the commemoration of the Tutsi genocide in Rwanda Korman Rémi October 2015 1 1 2 2 56 56 70 70 10.7227/HRV.1.2.6 Traces, bones, desert: the extermination of the Armenians through the photographers eye Kunth Anouche

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2 2 1 1 Editorial Anstett Élisabeth Dreyfus Jean-Marc Fournet Caroline April 2016 2 2 1 1 1 1 2 2 10.7227/HRV.2.1.1 Neighbour murders in Rwanda and Poland: what mutilated bodies and killing methods tell us about historical imaginaries and imaginaries of hatred NDiaye Sidi April

Editors’ Introduction
Marc Le Pape and Michaël Neuman

All of the authors contributing to this issue of Journal of Humanitarian Affairs (JHA) agreed to write articles elaborating on the presentations they gave at the international conference hosted by FMSH (Fondation Maison des Sciences de l’Homme) and MSF-CRASH (Médecins Sans Frontières – Centre de Réflexion sur l’Action et les Savoirs Humanitaires) on 20–22 March 2019 at the Hôtel de Lauzun in Paris. The title of the conference was ‘Extreme violence: investigate, rescue, judge. Syria, Rwanda, Democratic Republic of Congo’. This issue also includes a recent text

Journal of Humanitarian Affairs
Olivia Umurerwa Rutazibwa

humanitarian interventions. The topic was thrust upon me by events in Rwanda in 1994. As a teenage, second-generation Rwandan immigrant in Belgium, I was more personally affected than fellow classmates by the hypocrisy of the international community: the preaching of respect for human rights, followed by their omission during one hundred days of mass murder before the eyes of the world. It felt like there was more to the story than ‘good intentions versus regrettable outcomes’. Ever since, I have worried about the content and purpose of (Western

Journal of Humanitarian Affairs
Jessica Auchter

The after-effects of mass atrocity – bodies and bones – struggle to be defined within memorial projects. This article seeks to examine the politics at play in displaying dead bodies to interrogate the role of materiality in efforts to memorialise and raise awareness about on-going violences. It focusses on the nexus between evidence, dignity, humanity and memory to explore bone display in Rwanda. It then takes up two artistic projects that play on the materiality of human remains after atrocity: the art of Carl Michael von Hausswolff, who took ashes from an urn at the Majdanek concentration camp and used them as the material for his painting, and the One Million Bones Project, an installation that exhibits ceramic bones to raise awareness about global violence. In thinking about the intersections between human biomatter, art and politics, the article seeks to raise questions about both production and consumption: how bones and ashes of the dead are produced, and how they are consumed by viewers when placed on display in a variety of ways.

Human Remains and Violence: An Interdisciplinary Journal